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Colour lithograph. - Signed and numbered - Dry stamp. Ed. Peterburg Press ltd, London // Frank Stella's Gran Cairo from 1972 is a vibrant color lithograph featuring a mesmerizing arrangement of concentric squares in a rainbow spectrum. Each band of color—ranging from deep purples to vivid oranges and greens—creates a rhythmic, pulsating effect as the eye moves toward the center of the composition. The meticulous alignment and rich hues exemplify Stella’s exploration of color relationships and geometric abstraction. The stark white background emphasizes the square’s intense color contrasts, heightening its visual impact. This limited edition of 100 prints, signed and numbered by Stella, was produced by Petersburg Press in London, further marking its exclusivity and collectible value. Gran Cairo exemplifies Stella's skill in transforming simple geometric forms into dynamic visual experiences.
Gran Cairo (from multicolored squares), 1970
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41 x 56 cm
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Details
Artist
Styles
Colour lithograph. - Signed and numbered - Dry stamp. Ed. Peterburg Press ltd, London // Frank Stella's Gran Cairo from 1972 is a vibrant color lithograph featuring a mesmerizing arrangement of concentric squares in a rainbow spectrum. Each band of color—ranging from deep purples to vivid oranges and greens—creates a rhythmic, pulsating effect as the eye moves toward the center of the composition. The meticulous alignment and rich hues exemplify Stella’s exploration of color relationships and geometric abstraction. The stark white background emphasizes the square’s intense color contrasts, heightening its visual impact. This limited edition of 100 prints, signed and numbered by Stella, was produced by Petersburg Press in London, further marking its exclusivity and collectible value. Gran Cairo exemplifies Stella's skill in transforming simple geometric forms into dynamic visual experiences.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.