
Details
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Styles
Relief, screenprint, woodcut, engraving on white TGL, handmade, hand-colored paper - Signed, dated and numbered in pencil - Pergusa Three Double, from Circuits Series (A. 167) - With the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York // Frank Stella's Pergusa Three Double (1984) is a richly textured mixed media print that combines relief, screenprint, woodcut, and engraving on hand-colored TGL paper. Part of the Circuits Series, this dynamic composition is filled with a chaotic interplay of vibrant colors and organic, flowing shapes that wind through the piece in abstract, almost serpentine forms. Layers of yellow, green, and red dominate the work, while bold black crosshatch marks punctuate the surface, creating a sense of depth and movement. The irregular shapes are bordered and outlined in contrasting blues and purples, enhancing the energy and complexity of the piece. The mixture of textures and media results in a tactile and visually immersive experience. Signed, dated, and numbered in pencil by Stella, the work also bears the blindstamp of Tyler Graphics Ltd., known for its high-quality print productions. This piece reflects Stella’s experimental approach and his engagement with both abstraction and the physicality of materials.
Pergusa Three Double, 1984
form
Medium
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259.1 x 167.6 cm
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Details
Artist
Styles
Relief, screenprint, woodcut, engraving on white TGL, handmade, hand-colored paper - Signed, dated and numbered in pencil - Pergusa Three Double, from Circuits Series (A. 167) - With the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York // Frank Stella's Pergusa Three Double (1984) is a richly textured mixed media print that combines relief, screenprint, woodcut, and engraving on hand-colored TGL paper. Part of the Circuits Series, this dynamic composition is filled with a chaotic interplay of vibrant colors and organic, flowing shapes that wind through the piece in abstract, almost serpentine forms. Layers of yellow, green, and red dominate the work, while bold black crosshatch marks punctuate the surface, creating a sense of depth and movement. The irregular shapes are bordered and outlined in contrasting blues and purples, enhancing the energy and complexity of the piece. The mixture of textures and media results in a tactile and visually immersive experience. Signed, dated, and numbered in pencil by Stella, the work also bears the blindstamp of Tyler Graphics Ltd., known for its high-quality print productions. This piece reflects Stella’s experimental approach and his engagement with both abstraction and the physicality of materials.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.