Sam Francis

Untitled, 1984

106.7 X 73 inch

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Aurore sur la montagne

Guillaume Corneille, Tête de femme et oiseau pensif, lithograph of stylized woman's face with bird in vibrant colors and abstract patterns.
Guillaume Corneille, Tête de femme et oiseau pensif, lithograph of stylized woman's face with bird in vibrant colors and abstract patterns.
Guillaume Corneille, Tête de femme et oiseau pensif, lithograph of stylized woman's face with bird in vibrant colors and abstract patterns.
Guillaume Corneille, Tête de femme et oiseau pensif, lithograph of stylized woman's face with bird in vibrant colors and abstract patterns.

Publisher's blind stamp in the lower right hand corner. // Guillaume Corneille’s Tête de femme et oiseau pensif (1980) is a vibrant lithograph that fuses abstract and figurative elements in a kaleidoscope of bold colors and playful patterns. The composition features a stylized female face intertwined with a contemplative bird, rendered with Corneille's signature use of rich, expressive lines and exaggerated shapes. The woman's face is filled with swirling patterns and vivid tones of yellow, red, and blue, creating a dynamic visual rhythm. The bird, with its large, introspective eye, hovers above, adding a layer of surreal symbolism that invites viewers to interpret their relationship. Corneille, a founding member of the CoBrA movement, showcases his interest in primitive forms and emotional expression, making this print a compelling exploration of identity and inner reflection. Produced in a limited edition of 300, the print bears the publisher's blind stamp in the lower right corner.

Artwork Copyright © Guillaume Corneille

Tête de femme et oiseau pensif, 1980

form

Medium

Edition

Publisher's blind stamp in the lower right hand corner. // Guillaume Corneille’s Tête de femme et oiseau pensif (1980) is a vibrant lithograph that fuses abstract and figurative elements in a kaleidoscope of bold colors and playful patterns. The composition features a stylized female face intertwined with a contemplative bird, rendered with Corneille's signature use of rich, expressive lines and exaggerated shapes. The woman's face is filled with swirling patterns and vivid tones of yellow, red, and blue, creating a dynamic visual rhythm. The bird, with its large, introspective eye, hovers above, adding a layer of surreal symbolism that invites viewers to interpret their relationship. Corneille, a founding member of the CoBrA movement, showcases his interest in primitive forms and emotional expression, making this print a compelling exploration of identity and inner reflection. Produced in a limited edition of 300, the print bears the publisher's blind stamp in the lower right corner.

Artwork Copyright © Guillaume Corneille

Guillaume Corneille

Blauer Stern, 1999

Limited Edition Print

Lithograph

EUR 1,800

Guillaume Corneille

Tête De Femme Et Oiseau Pensif, 1980

Limited Edition Print

Lithograph

EUR 570

Guillaume Corneille

Aurore Sur La Montagne, 1991

Limited Edition Print

Lithograph

EUR 1,980

Guillaume Corneille

Le Grand Oiseau Du Désert, 1999

Limited Edition Print

Lithograph

EUR 2,020

Guillaume Corneille

Esmeralda, 2002

Limited Edition Print

Etching

EUR 1,400

Guillaume Corneille

Liegender Akt, 1991

Limited Edition Print

Lithograph

EUR 3,800

Guillaume Corneille

Demi-Lune Dans Ciel Catalan, 1990

Limited Edition Print

Lithograph

EUR 1,200

Guillaume Corneille

Chat Exotique Des Iles Du Sud

Sculpture / Object

Metal

EUR 600

Guillaume Corneille

Woman And Bird

Sculpture / Object

Wood

EUR 1,400

Guillaume Corneille

Rêve D’été, 2004

Sculpture / Object

Wood

EUR 1,400

Guillaume Corneille

Big Bird (Grosser Vogel), 1991

Limited Edition Print

Lithograph

Currently Not Available

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What is the CoBrA movement?

CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.

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