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Embossed print hand-painted with acrylic paint on handmade paper - Signed, dated, and numbered // Günther Uecker’s Untitled (nails) (1992) is a limited-edition mixed media artwork that combines his signature use of nails with an embossed print technique. The piece features an intricate pattern of raised, embossed nails arranged in random directions across the handmade paper. Uecker has hand-painted the work with acrylic paint, creating a subtle, monochromatic texture that emphasizes the tactile and physical nature of the nails. The abstract arrangement of the nails evokes a sense of movement and rhythm, characteristic of Uecker’s exploration of materiality and space. The interplay of light and shadow on the embossed surface gives the work a sculptural quality, blurring the boundaries between two-dimensional and three-dimensional art. This piece reflects Uecker’s ongoing interest in themes of tension, structure, and the human impact on the environment.
Untitled (nails), 1992
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114 x 80 cm
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Details
Artist
Styles
Embossed print hand-painted with acrylic paint on handmade paper - Signed, dated, and numbered // Günther Uecker’s Untitled (nails) (1992) is a limited-edition mixed media artwork that combines his signature use of nails with an embossed print technique. The piece features an intricate pattern of raised, embossed nails arranged in random directions across the handmade paper. Uecker has hand-painted the work with acrylic paint, creating a subtle, monochromatic texture that emphasizes the tactile and physical nature of the nails. The abstract arrangement of the nails evokes a sense of movement and rhythm, characteristic of Uecker’s exploration of materiality and space. The interplay of light and shadow on the embossed surface gives the work a sculptural quality, blurring the boundaries between two-dimensional and three-dimensional art. This piece reflects Uecker’s ongoing interest in themes of tension, structure, and the human impact on the environment.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.