Sam Francis

Untitled, 1984

106.7 X 73 inch

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Medea VII

Günther Uecker’s Untitled (nails), embossed print, 1992. Embossed nails arranged randomly on handmade paper, hand-painted with acrylic paint.
Günther Uecker’s Untitled (nails), embossed print, 1992. Embossed nails arranged randomly on handmade paper, hand-painted with acrylic paint.
Günther Uecker’s Untitled (nails), embossed print, 1992. Embossed nails arranged randomly on handmade paper, hand-painted with acrylic paint.

Embossed print hand-painted with acrylic paint on handmade paper - Signed, dated, and numbered // Günther Uecker’s Untitled (nails) (1992) is a limited-edition mixed media artwork that combines his signature use of nails with an embossed print technique. The piece features an intricate pattern of raised, embossed nails arranged in random directions across the handmade paper. Uecker has hand-painted the work with acrylic paint, creating a subtle, monochromatic texture that emphasizes the tactile and physical nature of the nails. The abstract arrangement of the nails evokes a sense of movement and rhythm, characteristic of Uecker’s exploration of materiality and space. The interplay of light and shadow on the embossed surface gives the work a sculptural quality, blurring the boundaries between two-dimensional and three-dimensional art. This piece reflects Uecker’s ongoing interest in themes of tension, structure, and the human impact on the environment.

Artwork Copyright © Gunther Uecker

Untitled (nails), 1992

form

Medium

Edition

Embossed print hand-painted with acrylic paint on handmade paper - Signed, dated, and numbered // Günther Uecker’s Untitled (nails) (1992) is a limited-edition mixed media artwork that combines his signature use of nails with an embossed print technique. The piece features an intricate pattern of raised, embossed nails arranged in random directions across the handmade paper. Uecker has hand-painted the work with acrylic paint, creating a subtle, monochromatic texture that emphasizes the tactile and physical nature of the nails. The abstract arrangement of the nails evokes a sense of movement and rhythm, characteristic of Uecker’s exploration of materiality and space. The interplay of light and shadow on the embossed surface gives the work a sculptural quality, blurring the boundaries between two-dimensional and three-dimensional art. This piece reflects Uecker’s ongoing interest in themes of tension, structure, and the human impact on the environment.

Artwork Copyright © Gunther Uecker

Gunther Uecker

Baum. Kunstpranger, 1984

Sculpture / Object

Mixed Media

EUR 12,950

Gunther Uecker

Helles Nagelkreuz, 2017

Sculpture / Object

Bronze

EUR 49,500

Gunther Uecker

Jahresteller, 1975

Sculpture / Object

Glass

EUR 1,800

Gunther Uecker

Untitled (nails), 1992

Limited Edition Print

Mixed Media

EUR 23,500

Gunther Uecker

Medea VII, 1996

Limited Edition Print

Etching

EUR 1,980

Gunther Uecker

Verletzungen-Verbindungen, 1998

Limited Edition Print

Screen-print

EUR 1,700

Gunther Uecker

Hiob Seite 24

Limited Edition Print

Silkscreen

EUR 1,800

Gunther Uecker

Hiob Seite 16

Limited Edition Print

Silkscreen

EUR 1,800

Gunther Uecker

Hiob Seite 04

Limited Edition Print

Silkscreen

EUR 1,800

Gunther Uecker

Hiob Seite 25

Limited Edition Print

Silkscreen

EUR 1,800

Gunther Uecker

Hiob Seite 36

Limited Edition Print

Silkscreen

EUR 1,800

Gunther Uecker

Ouroboros #12, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #9, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #7, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #5, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #3, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros (natural Sand), 2018

Limited Edition Print

Screen-print

EUR 22,000

Gunther Uecker

Ouroboros #11, 2018

Limited Edition Print

Sand

EUR 8,000

Gunther Uecker

Ouroboros #10, 2018

Limited Edition Print

Sand

EUR 8,000

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What is the Zero Movement?

ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.

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