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From the leading edition of the book Farandole by Hans Hartung. Farandole 19, 1971. - Edition in 75 copies on Guarro paper. - Sheet: 86.5 cm x 59.5 cm - Dimensions of the work: 48 X 34 cm. // Hans Hartung’s Lithographie Farandoles VI (1971) is a monochromatic lithograph that showcases the artist’s signature abstract expressionist style. Composed of bold, overlapping rectangular forms in varying shades and textures, the artwork exudes a dynamic tension and sense of rhythm. The layers of black and gray create an interplay between opacity and transparency, inviting viewers to appreciate the depth and complexity within the seemingly simple composition. Printed on Guarro paper, this piece reflects Hartung’s fascination with expressive mark-making, using shapes to convey movement and emotion. This lithograph, part of a limited edition for the Farandole series, exemplifies Hartung’s commitment to abstraction and visual harmony.
Lithographie Farandoles VI, 1971
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59.5 x 86.5 cm
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Details
Artist
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From the leading edition of the book Farandole by Hans Hartung. Farandole 19, 1971. - Edition in 75 copies on Guarro paper. - Sheet: 86.5 cm x 59.5 cm - Dimensions of the work: 48 X 34 cm. // Hans Hartung’s Lithographie Farandoles VI (1971) is a monochromatic lithograph that showcases the artist’s signature abstract expressionist style. Composed of bold, overlapping rectangular forms in varying shades and textures, the artwork exudes a dynamic tension and sense of rhythm. The layers of black and gray create an interplay between opacity and transparency, inviting viewers to appreciate the depth and complexity within the seemingly simple composition. Printed on Guarro paper, this piece reflects Hartung’s fascination with expressive mark-making, using shapes to convey movement and emotion. This lithograph, part of a limited edition for the Farandole series, exemplifies Hartung’s commitment to abstraction and visual harmony.
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.