Sam Francis

Untitled, 1984

106.7 X 73 inch

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Helen Frankenthaler's Cedar Hill, ten-color woodcut on handmade paper, abstract forms in soft red, green, and blue tones.

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Ten-color woodcut in colors on handmade light pin Mingei Momo paper - Signed, dated and numbered in pencil - Published by Crown Point Press, San Francisco - Printed by Shi-un-do Print Shop, Kyoto // Cedar Hill by Helen Frankenthaler is a ten-color woodcut created on handmade light pink Mingei Momo paper. This limited edition print, signed and dated by the artist, was published by Crown Point Press and printed by Shi-un-do Print Shop in Kyoto. The artwork embodies Frankenthaler’s signature style, using delicate washes of color and organic forms to evoke a serene, almost dreamlike landscape. Soft hues of red, green, and blue blend and overlap, giving a sense of depth and fluidity. The abstract nature of the piece invites viewers to interpret the forms freely, allowing personal reflections on nature and atmosphere.

Artwork Copyright © Helen Frankenthaler

Helen Frankenthaler

Cedar Hill, 1983

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51.3 x 63.5   cm
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Details

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Ten-color woodcut in colors on handmade light pin Mingei Momo paper - Signed, dated and numbered in pencil - Published by Crown Point Press, San Francisco - Printed by Shi-un-do Print Shop, Kyoto // Cedar Hill by Helen Frankenthaler is a ten-color woodcut created on handmade light pink Mingei Momo paper. This limited edition print, signed and dated by the artist, was published by Crown Point Press and printed by Shi-un-do Print Shop in Kyoto. The artwork embodies Frankenthaler’s signature style, using delicate washes of color and organic forms to evoke a serene, almost dreamlike landscape. Soft hues of red, green, and blue blend and overlap, giving a sense of depth and fluidity. The abstract nature of the piece invites viewers to interpret the forms freely, allowing personal reflections on nature and atmosphere.

Artwork Copyright © Helen Frankenthaler
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Who are the American Abstract Artists (AAA) ?

American Abstract Artists (AAA) is an organization founded in New York City in 1936 to promote abstract art and its appreciation in the United States. At a time when abstract art faced strong opposition from critics, the AAA provided crucial exhibition opportunities for abstract artists, helping to foster the growth and acceptance of the movement.

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