
Details
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Sixteen Color Ukiyo-e style woodcut from 9 woodblocks // Helen Frankenthaler’s Japanese Maple, created in 2005, is a limited edition print using a mixed media approach. This work is a sixteen-color Ukiyo-e style woodcut, crafted from nine woodblocks, and measures 26 by 38 cm. The composition features vibrant reds, purples, and blues, evoking the texture and warmth of natural wood grain, reminiscent of autumn leaves. The fluid, organic forms and intense hues create a sense of depth and movement, while the blue accent serves as a focal point amidst the fiery landscape. Frankenthaler’s mastery in combining traditional Japanese woodcut techniques with her signature abstract expressionist style is evident, blending spontaneity and precision in a visually captivating manner.
Japanese Maple, 2005
form
Medium
Size
66 x 96.5 cm
- Inches
- Centimeters
Edition
Range
- USD
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Details
Artist
Styles
Sixteen Color Ukiyo-e style woodcut from 9 woodblocks // Helen Frankenthaler’s Japanese Maple, created in 2005, is a limited edition print using a mixed media approach. This work is a sixteen-color Ukiyo-e style woodcut, crafted from nine woodblocks, and measures 26 by 38 cm. The composition features vibrant reds, purples, and blues, evoking the texture and warmth of natural wood grain, reminiscent of autumn leaves. The fluid, organic forms and intense hues create a sense of depth and movement, while the blue accent serves as a focal point amidst the fiery landscape. Frankenthaler’s mastery in combining traditional Japanese woodcut techniques with her signature abstract expressionist style is evident, blending spontaneity and precision in a visually captivating manner.
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Limited Edition Print
Serigraph
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Valentine For Mr. Wonderful (book), 1995
Limited Edition Print
Intaglio
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Valentine For Mr. Wonderful, 1995
Limited Edition Print
Etching And Aquatint
Currently Not Available
What is lyrical abstraction ?
Lyrical abstraction is a descriptive term characterizing a type of abstract painting closely related to Abstract Expressionism, in use from the 1940s to the present. The term can also describe two distinct but related trends in post-World War II modernist painting. This art movement originated in Paris, France, after the war, emphasizing personal expression, spontaneity, and the emotional use of color and form.