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EA on crème Vélin paper, signed and numbered by hand in pencil. - Reference: Weelen 46 // Helena Vieira da Silva's Les Grilles (1961) is an evocative lithograph that exemplifies her mastery in abstract expressionism. This limited edition print, executed on crème Vélin paper, captures the artist's fascination with architectural forms and geometric grids. The composition is densely layered with interwoven, vertical, and horizontal lines, creating a textured, grid-like pattern that appears to pulsate with depth. The delicate interplay of light and shadow within the structure gives an illusion of three-dimensional space, drawing the viewer into its maze-like complexity. Signed and numbered by hand, Les Grilles is a testament to Vieira da Silva's innovative approach to space and form, reflecting her significant influence in the realm of abstract art.
Les Grilles, 1961
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Medium
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43.5 x 33.4 cm
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Details
Artist
Styles
EA on crème Vélin paper, signed and numbered by hand in pencil. - Reference: Weelen 46 // Helena Vieira da Silva's Les Grilles (1961) is an evocative lithograph that exemplifies her mastery in abstract expressionism. This limited edition print, executed on crème Vélin paper, captures the artist's fascination with architectural forms and geometric grids. The composition is densely layered with interwoven, vertical, and horizontal lines, creating a textured, grid-like pattern that appears to pulsate with depth. The delicate interplay of light and shadow within the structure gives an illusion of three-dimensional space, drawing the viewer into its maze-like complexity. Signed and numbered by hand, Les Grilles is a testament to Vieira da Silva's innovative approach to space and form, reflecting her significant influence in the realm of abstract art.
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.