Sam Francis

Untitled, 1984

106.7 X 73 inch

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Differential bevel gear

Hiroshi Sugimoto's Surface of Revolution with Constant Negative Curvature gelatin silver print depicting a cone-like form fading into shadows.

// Surface of Revolution with Constant Negative Curvature by Hiroshi Sugimoto is a gelatin silver print that captures the subtle elegance of mathematical forms through minimalist photography. The image portrays a sharply defined, cone-like shape with a smooth, curved surface, fading into deep shadows. Sugimoto's focus on light and texture reveals the meticulous contours and the abstract beauty of negative curvature, creating a contemplative atmosphere. This piece exemplifies Sugimoto’s skill in rendering the sublime through simplicity, inviting viewers to explore the harmony between art and geometry in this silent, introspective composition.

Artwork Copyright © Hiroshi Sugimoto

Surface of revolution with constant negative curvature, 2004

form

Medium

Edition

// Surface of Revolution with Constant Negative Curvature by Hiroshi Sugimoto is a gelatin silver print that captures the subtle elegance of mathematical forms through minimalist photography. The image portrays a sharply defined, cone-like shape with a smooth, curved surface, fading into deep shadows. Sugimoto's focus on light and texture reveals the meticulous contours and the abstract beauty of negative curvature, creating a contemplative atmosphere. This piece exemplifies Sugimoto’s skill in rendering the sublime through simplicity, inviting viewers to explore the harmony between art and geometry in this silent, introspective composition.

Artwork Copyright © Hiroshi Sugimoto

Hiroshi Sugimoto

Surface Of Revolution With Constant Negative Curvature, 2004

Photography

Gelatin Silver Print

EUR 21,400

Hiroshi Sugimoto

Differential Bevel Gear, 2004

Photography

Gelatin Silver Print

EUR 21,400

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What is abstract art?

Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

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