Details
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Lift-ground etching & aquatint with carborundum in colors, with extensive hand-coloring, on wove paper - Hand-monogrammed, dated, and numbered in pencil - Measurements: 17 1/8 x 21 in. (43.5 x 53.3 cm.)- Heenk 90 in the artist's catalogue raisonne. // Howard Hodgkin's Put Out More Flags (1992) is a vivid etching and aquatint that demonstrates his expressive approach to color and form. This limited edition print combines lift-ground etching, aquatint, and carborundum techniques with extensive hand-coloring, resulting in a richly layered and textured composition. The artwork features bold, overlapping swathes of blue, yellow, green, black, and orange, each color forming abstract shapes that evoke a sense of movement and energy. The interplay between solid blocks of color and speckled textures creates visual depth, while the irregular edges of the paper contribute to its organic, painterly feel. Measuring 43.5 x 53.3 cm, this piece is hand-monogrammed, dated, and numbered by the artist, marking it as a unique testament to Hodgkin’s mastery of printmaking.
Put Out More Flags, 1992
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43.5 x 53.3 cm
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Details
Artist
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Lift-ground etching & aquatint with carborundum in colors, with extensive hand-coloring, on wove paper - Hand-monogrammed, dated, and numbered in pencil - Measurements: 17 1/8 x 21 in. (43.5 x 53.3 cm.)- Heenk 90 in the artist's catalogue raisonne. // Howard Hodgkin's Put Out More Flags (1992) is a vivid etching and aquatint that demonstrates his expressive approach to color and form. This limited edition print combines lift-ground etching, aquatint, and carborundum techniques with extensive hand-coloring, resulting in a richly layered and textured composition. The artwork features bold, overlapping swathes of blue, yellow, green, black, and orange, each color forming abstract shapes that evoke a sense of movement and energy. The interplay between solid blocks of color and speckled textures creates visual depth, while the irregular edges of the paper contribute to its organic, painterly feel. Measuring 43.5 x 53.3 cm, this piece is hand-monogrammed, dated, and numbered by the artist, marking it as a unique testament to Hodgkin’s mastery of printmaking.
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Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
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