Sam Francis

Untitled, 1984

106.7 X 73 inch

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Membre

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Fletxes ortogonals decreixents

James Siena, La por, etching, abstract face with wide eyes and open mouth, intricate linework creating intense expression of fear.
James Siena is a contemporary abstract artist whose works are geometrical and graphic in nature. The complex patterns of his works emerge from 'visual algorithms' that are presets to his designs. He work in a variety of media including painting, sculpture, lithography, etching, woodcut, bronze-work, engraving, enameling Read More
Artwork Copyright © James Siena

La por, 2011

form
Medium

// La por by James Siena is a limited edition etching from 2011, created in an edition of 25. This art (...) Show More
James Siena is a contemporary abstract artist whose works are geometrical and graphic in nature. The complex patterns of his works emerge from 'visual algorithms' that are presets to his designs. He work in a variety of media including painting, sculpture, lithography, etching, woodcut, bronze-work, engraving, enameling Read More
Artwork Copyright © James Siena

James Siena

Roda Tergiversada Amb Quatre Forats, 2013

Limited Edition Print

Etching

EUR 1,200

James Siena

Forma Enfadada Amb Dents, 2013

Limited Edition Print

Etching

EUR 1,200

James Siena

Línies Pesades I Infectades , 2011

Limited Edition Print

Etching

EUR 800

James Siena

Línies Sortint De L'obscuritat, 2011

Limited Edition Print

Etching

EUR 800

James Siena

Cova, 2011

Limited Edition Print

Etching

EUR 800

James Siena

Membre , 2011

Limited Edition Print

Etching

EUR 800

James Siena

La Por, 2011

Limited Edition Print

Etching

EUR 800

James Siena

Fletxes Ortogonals Decreixents, 2011

Limited Edition Print

Etching

EUR 800

James Siena

Fletxes Rodones, 2011

Limited Edition Print

Etching

EUR 800

James Siena

Camí De Fletxes Entre Línies Paral.leles , 2011

Limited Edition Print

Etching

EUR 800

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What is abstract art?

Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

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