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Materials: wood, chipboard, clay, plaster, paint, high pressure laminate, metal, glass, plastic // Nature morte with thirty white pearls by Jan De Cock is a mixed media sculpture from 2013 that brings together various materials, including wood, chipboard, clay, plaster, paint, high-pressure laminate, metal, glass, and plastic. The piece presents a contemporary twist on traditional still life, or nature morte, with its assembled objects positioned on a rustic wooden stand. The sculpture includes abstract, organic shapes layered with vases and vessels, some of which are decorated with a chain of pearls. The arrangement, seemingly precarious yet carefully balanced, explores themes of fragility, transience, and the juxtaposition of classical form with modern materials. De Cock's work prompts viewers to reflect on the value and meaning of everyday objects in art.
Nature morte with thirty white pearls, 2013
form
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109 x 102 X 102 cm
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Details
Artist
Styles
Materials: wood, chipboard, clay, plaster, paint, high pressure laminate, metal, glass, plastic // Nature morte with thirty white pearls by Jan De Cock is a mixed media sculpture from 2013 that brings together various materials, including wood, chipboard, clay, plaster, paint, high-pressure laminate, metal, glass, and plastic. The piece presents a contemporary twist on traditional still life, or nature morte, with its assembled objects positioned on a rustic wooden stand. The sculpture includes abstract, organic shapes layered with vases and vessels, some of which are decorated with a chain of pearls. The arrangement, seemingly precarious yet carefully balanced, explores themes of fragility, transience, and the juxtaposition of classical form with modern materials. De Cock's work prompts viewers to reflect on the value and meaning of everyday objects in art.
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Jan De Cock
Construction Module Tate Modern M8-D53-14022005 C, 2005
Sculpture / Object
Wood
EUR 10,000
What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.