
Details
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Fine lithography, signed by the artist. // This untitled lithograph by Jannis Kounellis, part of the 1992 Lettre International portfolio, exemplifies the artist's bold use of gestural abstraction. The piece features intense black brushstrokes that dominate the white space, with chaotic, expressive forms suggesting both movement and spontaneity. A reversed word, “SLIDAM,” adds a mysterious textual element, challenging viewers to decipher its meaning. The vigorous application of ink and the raw, unfiltered aesthetic align with Kounellis's exploration of materiality and his interest in combining language with visual art. This limited edition piece, signed by the artist, embodies his avant-garde approach to printmaking.
Untitled from the Lettre International portfolio, 1992
form
Medium
Size
70 x 100 cm
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Details
Artist
Styles
Fine lithography, signed by the artist. // This untitled lithograph by Jannis Kounellis, part of the 1992 Lettre International portfolio, exemplifies the artist's bold use of gestural abstraction. The piece features intense black brushstrokes that dominate the white space, with chaotic, expressive forms suggesting both movement and spontaneity. A reversed word, “SLIDAM,” adds a mysterious textual element, challenging viewers to decipher its meaning. The vigorous application of ink and the raw, unfiltered aesthetic align with Kounellis's exploration of materiality and his interest in combining language with visual art. This limited edition piece, signed by the artist, embodies his avant-garde approach to printmaking.
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Jannis Kounellis
Opera In Ricordo Di Mauro Rostagno, 2000
Limited Edition Print
Screen-print
EUR 750
Jannis Kounellis
Untitled From The Lettre International Portfolio, 1992
Limited Edition Print
Lithograph
EUR 2,200
Jannis Kounellis
Homage To Federico Garcia Lorca, 2001
Limited Edition Print
Silkscreen
Currently Not Available
What is Arte Povera?
A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.