Sam Francis

Untitled, 1984

106.7 X 73 inch

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Usuyuki

Jasper Johns' Untitled (ULAE 309) intaglio print with geometric shapes, primary colors, a human figure, and color dots on soft white paper.

Color intaglio (spitbite, aquatint) on Magnan Pescia soft white paper - Printed by Doug Bennett and John Lund. - Paper: 21 x 16 inches - Image: 11 3/4 x 8 inches - Published by LeRoy Neiman Center for Print Studies, Columbia University, New York. - Literature: Carlos Basualdo, Scott Rothkopf, Jasper Johns Mind/Mirror, Whitney Museum of American Art, 2021, another impression reproduced plate 47, pg. 298. // Untitled (ULAE 309) by Jasper Johns, created in 2012, is a vibrant intaglio print combining spitbite and aquatint techniques. Set on Magnan Pescia soft white paper, the piece features a blend of geometric forms, textured surfaces, and bold primary colors, creating a layered composition that feels both abstract and representational. A human figure is subtly present among large blue and red circles, a yellow garment draped over a ladder, and a dotted vase. These elements, combined with five distinct color dots below, draw the viewer’s attention to the juxtaposition of color and form. Published by the LeRoy Neiman Center for Print Studies, this work reflects Johns’ fascination with visual language and symbolic depth.

Artwork Copyright © Jasper Johns

Untitled (ULAE 309), 2012

form

Medium

Edition

Color intaglio (spitbite, aquatint) on Magnan Pescia soft white paper - Printed by Doug Bennett and John Lund. - Paper: 21 x 16 inches - Image: 11 3/4 x 8 inches - Published by LeRoy Neiman Center for Print Studies, Columbia University, New York. - Literature: Carlos Basualdo, Scott Rothkopf, Jasper Johns Mind/Mirror, Whitney Museum of American Art, 2021, another impression reproduced plate 47, pg. 298. // Untitled (ULAE 309) by Jasper Johns, created in 2012, is a vibrant intaglio print combining spitbite and aquatint techniques. Set on Magnan Pescia soft white paper, the piece features a blend of geometric forms, textured surfaces, and bold primary colors, creating a layered composition that feels both abstract and representational. A human figure is subtly present among large blue and red circles, a yellow garment draped over a ladder, and a dotted vase. These elements, combined with five distinct color dots below, draw the viewer’s attention to the juxtaposition of color and form. Published by the LeRoy Neiman Center for Print Studies, this work reflects Johns’ fascination with visual language and symbolic depth.

Artwork Copyright © Jasper Johns

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Periscope, 1981

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USD 25,000 - 30,000

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Cross Hatch, 1977

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Untitled - Faces (ULAE 243), 1988

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Carborundum

USD 41,000 - 45,000

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Linocut

USD 24,500

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Untitled (Faces On Purple), 1988

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USD 21,000 - 30,000

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Painting With Two Balls I, 1962

Limited Edition Print

Lithograph

USD 31,500

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Souvenir I, 1972

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Zone, 1972

Limited Edition Print

Lithograph

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Sun On Six, 2000

Limited Edition Print

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Hinged Canvas, 1971

Limited Edition Print

Lithograph

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Valentine, 2010

Limited Edition Print

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Untitled (Fragmented Frame), 1992

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Lithograph

USD 10,700

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Untitled (Faded Impressions), 1992

Limited Edition Print

Lithograph

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Untitled (Shattered Vessel), 1992

Limited Edition Print

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Coathanger And Spoon, 1971

Limited Edition Print

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Ventriloquist, 1985

Limited Edition Print

Lithograph

USD 13,000

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Knee, 1974

Limited Edition Print

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USD 7,350

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Limited Edition Print

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After Holbein, 1993

Limited Edition Print

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Bent Stencil, 1971

Limited Edition Print

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Voice 2, 1982

Limited Edition Print

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USD 7,670

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Summer, 1985

Limited Edition Print

Etching And Aquatint

USD 5,250

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What is late modernism?

Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.

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