
Details
Artist
Styles
Color intaglio (spitbite, aquatint) on Magnan Pescia soft white paper - Printed by Doug Bennett and John Lund. - Paper: 21 x 16 inches - Image: 11 3/4 x 8 inches - Published by LeRoy Neiman Center for Print Studies, Columbia University, New York. - Literature: Carlos Basualdo, Scott Rothkopf, Jasper Johns Mind/Mirror, Whitney Museum of American Art, 2021, another impression reproduced plate 47, pg. 298. // Untitled (ULAE 309) by Jasper Johns, created in 2012, is a vibrant intaglio print combining spitbite and aquatint techniques. Set on Magnan Pescia soft white paper, the piece features a blend of geometric forms, textured surfaces, and bold primary colors, creating a layered composition that feels both abstract and representational. A human figure is subtly present among large blue and red circles, a yellow garment draped over a ladder, and a dotted vase. These elements, combined with five distinct color dots below, draw the viewer’s attention to the juxtaposition of color and form. Published by the LeRoy Neiman Center for Print Studies, this work reflects Johns’ fascination with visual language and symbolic depth.
Untitled (ULAE 309), 2012
form
Medium
Size
53.3 x 40.6 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Color intaglio (spitbite, aquatint) on Magnan Pescia soft white paper - Printed by Doug Bennett and John Lund. - Paper: 21 x 16 inches - Image: 11 3/4 x 8 inches - Published by LeRoy Neiman Center for Print Studies, Columbia University, New York. - Literature: Carlos Basualdo, Scott Rothkopf, Jasper Johns Mind/Mirror, Whitney Museum of American Art, 2021, another impression reproduced plate 47, pg. 298. // Untitled (ULAE 309) by Jasper Johns, created in 2012, is a vibrant intaglio print combining spitbite and aquatint techniques. Set on Magnan Pescia soft white paper, the piece features a blend of geometric forms, textured surfaces, and bold primary colors, creating a layered composition that feels both abstract and representational. A human figure is subtly present among large blue and red circles, a yellow garment draped over a ladder, and a dotted vase. These elements, combined with five distinct color dots below, draw the viewer’s attention to the juxtaposition of color and form. Published by the LeRoy Neiman Center for Print Studies, this work reflects Johns’ fascination with visual language and symbolic depth.
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Jasper Johns
Untitled - Faces (ULAE 243), 1988
Limited Edition Print
Carborundum
USD 41,000 - 45,000
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.