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Lithography on zinc, etching and collage // Jaume Plensa's Domestic Propensities 5: Moral and Religious Feelings (2002) is a complex work combining collage, lithography, and etching. The central image, a detailed rendering of a human eye, appears to gaze directly at the viewer, suggesting introspection or observation. Surrounding the eye, several phrases such as Moral and Religious Sentiments and Selfish Propensities are layered in various colors, creating a dialogue between the individual and societal forces. The juxtaposition of text with the intimate, personal image of the eye invites viewers to reflect on how inner feelings are shaped by moral, religious, and domestic expectations. The layered textures and text add depth to the piece, reinforcing Plensa’s interest in the intersections of identity, language, and emotion.
Domestic Propensities 5. Moral and religious feelings, 2002
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70 x 49 cm
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Details
Artist
Styles
Lithography on zinc, etching and collage // Jaume Plensa's Domestic Propensities 5: Moral and Religious Feelings (2002) is a complex work combining collage, lithography, and etching. The central image, a detailed rendering of a human eye, appears to gaze directly at the viewer, suggesting introspection or observation. Surrounding the eye, several phrases such as Moral and Religious Sentiments and Selfish Propensities are layered in various colors, creating a dialogue between the individual and societal forces. The juxtaposition of text with the intimate, personal image of the eye invites viewers to reflect on how inner feelings are shaped by moral, religious, and domestic expectations. The layered textures and text add depth to the piece, reinforcing Plensa’s interest in the intersections of identity, language, and emotion.
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Jaume Plensa
Domestic Propensities 5. Moral And Religious Feelings, 2002
Limited Edition Print
Collage
EUR 2,650
Jaume Plensa
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Limited Edition Print
Relief Printing
Inquire For Price
Jaume Plensa
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Limited Edition Print
Relief Printing
EUR 3,000
What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.