
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Original photograph, hand signed by Christo and by W Volz (Christo's photographer) // Christo Javacheff’s Reichstag Mappe II, Faltenwurf captures a close-up of the iconic 1995 installation in which the Reichstag in Berlin was wrapped in silvery fabric. This photograph, taken by Wolfgang Volz and hand-signed by both Christo and Volz, focuses on the intricate folds and draping of the material as it cascades down the building’s facade. The scale of the fabric and the tiny figures of onlookers at the base emphasize the monumental nature of the installation, highlighting the interplay of texture, light, and shadow. This image conveys the powerful transformation of architecture through Christo’s vision, celebrating both impermanence and the awe-inspiring scale of public art.
Reichstag Mappe II, Faltenwurf, 1995
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50 x 60 cm
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Details
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Original photograph, hand signed by Christo and by W Volz (Christo's photographer) // Christo Javacheff’s Reichstag Mappe II, Faltenwurf captures a close-up of the iconic 1995 installation in which the Reichstag in Berlin was wrapped in silvery fabric. This photograph, taken by Wolfgang Volz and hand-signed by both Christo and Volz, focuses on the intricate folds and draping of the material as it cascades down the building’s facade. The scale of the fabric and the tiny figures of onlookers at the base emphasize the monumental nature of the installation, highlighting the interplay of texture, light, and shadow. This image conveys the powerful transformation of architecture through Christo’s vision, celebrating both impermanence and the awe-inspiring scale of public art.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.