
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Original photograph, hand signed by Christo and by W Volz (Christo's photographer) // Christo Javacheff’s Reichstag Mappe II, Südfassade captures the iconic 1995 installation in which Christo and Jeanne-Claude wrapped the historic Reichstag building in Berlin with fabric. This original photograph, hand-signed by Christo and his photographer Wolfgang Volz, documents the building entirely enveloped in silvery, textured fabric that flows over its architectural contours, transforming it into a monumental work of art. The wrapping project invited viewers to reimagine the relationship between architecture, art, and history. The installation was temporary, yet its striking visual impact and symbolic resonance continue to evoke themes of transformation, unity, and the impermanence of structures tied to political history.
Reichstag Mappe II, Südfassade, 1995
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Details
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Original photograph, hand signed by Christo and by W Volz (Christo's photographer) // Christo Javacheff’s Reichstag Mappe II, Südfassade captures the iconic 1995 installation in which Christo and Jeanne-Claude wrapped the historic Reichstag building in Berlin with fabric. This original photograph, hand-signed by Christo and his photographer Wolfgang Volz, documents the building entirely enveloped in silvery, textured fabric that flows over its architectural contours, transforming it into a monumental work of art. The wrapping project invited viewers to reimagine the relationship between architecture, art, and history. The installation was temporary, yet its striking visual impact and symbolic resonance continue to evoke themes of transformation, unity, and the impermanence of structures tied to political history.
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.