
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// Christo Javacheff's The Gates Project for Central Park (III) (1990) is an offset print that details the artist’s proposal for his iconic installation in New York City's Central Park. The artwork depicts an aerial map of Central Park at the top, with precise annotations, illustrating the intended locations and dimensions of the gates. Below, an illustration captures the vibrant saffron-colored fabric hanging from the gates, creating a rhythmic pattern through the park's pathways. The combination of technical sketches and painterly representation showcases Christo’s meticulous planning process and his vision of transforming public spaces into immersive experiences. The print reflects Christo’s unique approach of blending art, architecture, and nature.
The Gates Project for Central Park (III), 1990
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100.3 x 68.6 cm
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Details
Artist
Styles
// Christo Javacheff's The Gates Project for Central Park (III) (1990) is an offset print that details the artist’s proposal for his iconic installation in New York City's Central Park. The artwork depicts an aerial map of Central Park at the top, with precise annotations, illustrating the intended locations and dimensions of the gates. Below, an illustration captures the vibrant saffron-colored fabric hanging from the gates, creating a rhythmic pattern through the park's pathways. The combination of technical sketches and painterly representation showcases Christo’s meticulous planning process and his vision of transforming public spaces into immersive experiences. The print reflects Christo’s unique approach of blending art, architecture, and nature.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.