
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Project for Central Park, New York City - Offset lithograph in colors - Hand-signed by the artist in pencil - One of 300 hand-signed prints from the unnumbered edition // The Gates (q) by Christo Javacheff, created in 2004, is an offset lithograph depicting the artist’s ambitious installation in Central Park, New York City. This print features a comprehensive visual representation of the project, combining a map with technical sketches on the left and a detailed view of the park with the orange fabric gates winding through the landscape on the right. The vibrant orange of the gates contrasts sharply with the grayscale urban environment, highlighting the artistic intervention within the natural and urban setting. The skyscrapers of Manhattan loom in the background, providing a sense of scale. Hand-signed by Christo, this print is part of a limited edition of 300, underscoring its significance as a collectible piece that commemorates this monumental public artwork.
The Gates (q), 2004
form
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102 x 72 cm
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Details
Artist
Styles
Project for Central Park, New York City - Offset lithograph in colors - Hand-signed by the artist in pencil - One of 300 hand-signed prints from the unnumbered edition // The Gates (q) by Christo Javacheff, created in 2004, is an offset lithograph depicting the artist’s ambitious installation in Central Park, New York City. This print features a comprehensive visual representation of the project, combining a map with technical sketches on the left and a detailed view of the park with the orange fabric gates winding through the landscape on the right. The vibrant orange of the gates contrasts sharply with the grayscale urban environment, highlighting the artistic intervention within the natural and urban setting. The skyscrapers of Manhattan loom in the background, providing a sense of scale. Hand-signed by Christo, this print is part of a limited edition of 300, underscoring its significance as a collectible piece that commemorates this monumental public artwork.
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Javacheff Christo
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Javacheff Christo
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Limited Edition Print
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USD 1,350
Javacheff Christo
Schweiz Verpackte Venus-Villa Borghese, 1974
Limited Edition Print
Lithograph
EUR 3,800
Javacheff Christo
Over The Arkansas River, Project A, 1992/2017
Limited Edition Print
Lithograph
EUR 1,700
Javacheff Christo
Reichstag Mappe I, 4 Blatt + 2 Text, 1990–2000
Limited Edition Print
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EUR 17,000
Javacheff Christo
Reichstag Mappe II, 6 Blatt, 1990–2000
Limited Edition Print
Photograph
EUR 24,000
Javacheff Christo
Wrapped Reichstag Project For Berlin V, 1992
Limited Edition Print
Offset Print
USD 1,350
Javacheff Christo
Reichstag/Berlin Vormittag, Wrapped, 1995
Limited Edition Print
Photograph
EUR 12,000
Javacheff Christo
Project For The Arc De Triomphe, Paris , 1970
Limited Edition Print
Lithograph
EUR 5,450
Javacheff Christo
Over The River Project VI, 1992
Limited Edition Print
Offset Print
Inquire For Price
Javacheff Christo
The Gates Project For Central Park (III), 1990
Limited Edition Print
Offset Print
USD 1,200
Javacheff Christo
Wrapped Reichstag/Berlin Nachmittag, 1995
Limited Edition Print
Photograph
EUR 10,000
Javacheff Christo
Toronto Edition, The Umbrellas, Japan
Photography
Photograph
Currently Not Available
What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.