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Limoges Porcelain - Stamp-signed and numbered // Split Rocker by Jeff Koons is a porcelain sculpture created in 2012, inspired by the playful form of a child’s rocking horse. The smooth, white surface of the sculpture portrays a whimsical, simplified head with a rounded and friendly expression, seamlessly combining elements from two different toy characters. The minimalistic design and lack of color enhance the object's sculptural qualities, inviting viewers to focus on the form and its playful yet abstract nature. This piece is stamp-signed and numbered, part of a limited edition of 3,500. The work encapsulates Koons' ongoing exploration of popular culture, childhood innocence, and high art through everyday objects, transforming them into monumental and thought-provoking pieces.
Split Rocker, 2012
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36 x 33 X 40 cm
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Details
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Limoges Porcelain - Stamp-signed and numbered // Split Rocker by Jeff Koons is a porcelain sculpture created in 2012, inspired by the playful form of a child’s rocking horse. The smooth, white surface of the sculpture portrays a whimsical, simplified head with a rounded and friendly expression, seamlessly combining elements from two different toy characters. The minimalistic design and lack of color enhance the object's sculptural qualities, inviting viewers to focus on the form and its playful yet abstract nature. This piece is stamp-signed and numbered, part of a limited edition of 3,500. The work encapsulates Koons' ongoing exploration of popular culture, childhood innocence, and high art through everyday objects, transforming them into monumental and thought-provoking pieces.
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What is Neo-Geo?
Known as Neo-Geo for short, this movement uses geometric objects and shapes to create abstract artwork as a metaphor for society. Inspired by various 20th-century art styles, including minimalism and pop art, Neo-Geo emerged in the 1980s as a response to the industrialization and commercialization of the modern world. The movement reflects on the impact of mass production, consumerism, and technology, often critiquing the superficiality of contemporary culture through its abstract, geometric compositions.