Sam Francis

Untitled, 1984

106.7 X 73 inch

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Aspect Syllabary: Landscape

Jessica Stockholder Choices 2019 archival pigment print with sketched hand over a colorful abstract photo collage, exploring dimensionality.
Jessica Stockholder (b. 1959 USA) is a prominent American-Canadian contemporary artist known for her vibrant and immersive installations that blur the boundaries between painting, sculpture, and architecture. Stockholder's work is characterized by its bold use of color, found objects, and everyday materials, which she assemb Read More
Artwork Copyright © Jessica Stockholder

Choices, 2019

form
Medium

Archival pigment print - Numbered and signed on the back // Choices by Jessica Stockholder is a dyn (...) Show More
Jessica Stockholder (b. 1959 USA) is a prominent American-Canadian contemporary artist known for her vibrant and immersive installations that blur the boundaries between painting, sculpture, and architecture. Stockholder's work is characterized by its bold use of color, found objects, and everyday materials, which she assemb Read More
Artwork Copyright © Jessica Stockholder

Jessica Stockholder

D C Tree, 2011

Limited Edition Print

Monoprint

USD 4,260

Jessica Stockholder

I A Tree, 2011

Limited Edition Print

Monoprint

USD 4,260

Jessica Stockholder

Choices, 2019

Limited Edition Print

Archival Print

Currently Not Available

Jessica Stockholder

Aspect Syllabary: Landscape, 2015

Limited Edition Print

Lithograph

Currently Not Available

Jessica Stockholder

Aspect Syllabary: Stagger, 2015

Limited Edition Print

Lithograph

Currently Not Available

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What is site specific art?

Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.

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