Sam Francis

Untitled, 1984

106.7 X 73 inch

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Choices

Jessica Stockholder I A Tree monoprint with overlapping green, blue, and orange organic shapes on Coventry Rag paper.
Jessica Stockholder (b. 1959 USA) is a prominent American-Canadian contemporary artist known for her vibrant and immersive installations that blur the boundaries between painting, sculpture, and architecture. Stockholder's work is characterized by its bold use of color, found objects, and everyday materials, which she assemb Read More
Artwork Copyright © Jessica Stockholder

i a tree, 2011

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Monoprint Silkscreen on 290 gram Coventry Rag Paper // I A Tree by Jessica Stockholder is a dynami (...) Show More
Jessica Stockholder (b. 1959 USA) is a prominent American-Canadian contemporary artist known for her vibrant and immersive installations that blur the boundaries between painting, sculpture, and architecture. Stockholder's work is characterized by its bold use of color, found objects, and everyday materials, which she assemb Read More
Artwork Copyright © Jessica Stockholder

Jessica Stockholder

D C Tree, 2011

Limited Edition Print

Monoprint

USD 4,260

Jessica Stockholder

I A Tree, 2011

Limited Edition Print

Monoprint

USD 4,260

Jessica Stockholder

Choices, 2019

Limited Edition Print

Archival Print

Currently Not Available

Jessica Stockholder

Aspect Syllabary: Landscape, 2015

Limited Edition Print

Lithograph

Currently Not Available

Jessica Stockholder

Aspect Syllabary: Stagger, 2015

Limited Edition Print

Lithograph

Currently Not Available

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What is site specific art?

Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.

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