Sam Francis

Untitled, 1984

106.7 X 73 inch

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Chanteur De Rues III - D1138

Joan Miró's Chanteur De Rues III aquatint print featuring abstract figure with bold red, yellow, and green blocks and fluid black lines.

Etching and Aquatint, hand signed and numbered by the artist. Catalogue : Dupin 1138 - 57.00 cm. x 42.00 cm. | 22.44 in. x 16.54 in. (paper) - 30.00 cm. x 25.00 cm. | 11.81 in. x 9.84 in. (image) // Joan Miró's Chanteur De Rues III - D1139 (1981) is a limited edition aquatint that exemplifies his playful and abstract style. The print, with its vibrant blocks of red, yellow, and green, juxtaposes a whimsical figure outlined in fluid black lines. The figure's blue and black features stand out, creating a dynamic focal point amid the bold color fields. Miró's use of the aquatint technique enhances the textural quality, adding depth and contrast to the composition. This work invites viewers to engage with its lively forms, evoking a sense of spontaneity and imagination characteristic of Miró's artistic language.

Artwork Copyright © Joan Miró

Chanteur De Rues III - D1139, 1981

form

Medium

Edition

Etching and Aquatint, hand signed and numbered by the artist. Catalogue : Dupin 1138 - 57.00 cm. x 42.00 cm. | 22.44 in. x 16.54 in. (paper) - 30.00 cm. x 25.00 cm. | 11.81 in. x 9.84 in. (image) // Joan Miró's Chanteur De Rues III - D1139 (1981) is a limited edition aquatint that exemplifies his playful and abstract style. The print, with its vibrant blocks of red, yellow, and green, juxtaposes a whimsical figure outlined in fluid black lines. The figure's blue and black features stand out, creating a dynamic focal point amid the bold color fields. Miró's use of the aquatint technique enhances the textural quality, adding depth and contrast to the composition. This work invites viewers to engage with its lively forms, evoking a sense of spontaneity and imagination characteristic of Miró's artistic language.

Artwork Copyright © Joan Miró

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What is abstract art?

Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

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