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Etching and aquatint on Rives Paper - Image size: 69 x 45 cm. - Paper size: 90.5 x 63 cm. - Published by Maeght, Paris. - Cataloging number: 355. Listed on page 49 of Miró Engraver II. Ediciones Polígrafa, S.A. 1989. // La chevelure De Bérénice II by Joan Miró is an evocative etching and aquatint on Rives Paper, created in 1963. The work combines swirling lines and abstract shapes, forming a complex yet playful composition. Dominated by shades of black, green, yellow, and red, the print features forms reminiscent of celestial bodies or cosmic elements, hinting at Miró's fascination with mythology and symbolism. The title references Bérénice, a figure from classical mythology, potentially suggesting themes of beauty, sacrifice, or cosmic mystery. This limited edition, published by Maeght in Paris, showcases Miró’s ability to evoke narrative and emotion through abstract form.
La chevelure De Bérénice II, 1963
form
Medium
Size
90.5 x 63 cm
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Details
Artist
Styles
Etching and aquatint on Rives Paper - Image size: 69 x 45 cm. - Paper size: 90.5 x 63 cm. - Published by Maeght, Paris. - Cataloging number: 355. Listed on page 49 of Miró Engraver II. Ediciones Polígrafa, S.A. 1989. // La chevelure De Bérénice II by Joan Miró is an evocative etching and aquatint on Rives Paper, created in 1963. The work combines swirling lines and abstract shapes, forming a complex yet playful composition. Dominated by shades of black, green, yellow, and red, the print features forms reminiscent of celestial bodies or cosmic elements, hinting at Miró's fascination with mythology and symbolism. The title references Bérénice, a figure from classical mythology, potentially suggesting themes of beauty, sacrifice, or cosmic mystery. This limited edition, published by Maeght in Paris, showcases Miró’s ability to evoke narrative and emotion through abstract form.
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Etching And Aquatint
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Limited Edition Print
Lithograph
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Limited Edition Print
Lithograph
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Limited Edition Print
Lithograph
Currently Not Available
What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.