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Lithograph in color on Arches paper - published by Maeght, Paris - Hand-signed by artist, Signed and numbered in pencil // Joan Miró, Le Croc à Phynances I is a 1971 color lithograph, published by Maeght in Paris. This large, dynamic print showcases Miró’s playful and surrealist approach to abstract forms. The central element appears to be a circular form reminiscent of a coin, surrounded by bold black strokes and various organic shapes in vivid primary colors—green, yellow, blue, and red—interspersed throughout. Miró’s use of textures, alongside these expressive colors and forms, creates a sense of movement and whimsy. The interplay of sharp lines with softer, organic shapes exemplifies his mastery of surrealism, imbuing the composition with a sense of spontaneity and dream-like logic. Hand-signed and numbered, this print is a captivating example of Miró's later work.
Le Croc a Phynances I, 1971
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92.1 x 125.1 cm
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Details
Artist
Styles
Lithograph in color on Arches paper - published by Maeght, Paris - Hand-signed by artist, Signed and numbered in pencil // Joan Miró, Le Croc à Phynances I is a 1971 color lithograph, published by Maeght in Paris. This large, dynamic print showcases Miró’s playful and surrealist approach to abstract forms. The central element appears to be a circular form reminiscent of a coin, surrounded by bold black strokes and various organic shapes in vivid primary colors—green, yellow, blue, and red—interspersed throughout. Miró’s use of textures, alongside these expressive colors and forms, creates a sense of movement and whimsy. The interplay of sharp lines with softer, organic shapes exemplifies his mastery of surrealism, imbuing the composition with a sense of spontaneity and dream-like logic. Hand-signed and numbered, this print is a captivating example of Miró's later work.
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What is dada?
Also known as Dadaism, Dada was a literary and artistic movement that began in 1916 in Zurich, Switzerland. It emerged as a rejection of rationalism and nationalism, which were seen as contributing factors to World War I. The movement had political undertones and was strongly anti-war. Dada activities included demonstrations, gatherings, and the publication of literary and art journals that explored cultural and political topics.