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Lithography on Arches paper - Plate size: 50.5 x 66 cm - Published by Maeght, Paris. Catalog number: 187. Cataloged on page 115 of Joan Miró Lithographer II. // Joan Miró’s Nebuleuse (1958) is a lithograph that encapsulates his abstract and cosmic-inspired vision. The central black form, reminiscent of a nebula or celestial entity, is encircled by vibrant colored dots—red, yellow, green, and blue—that seem to orbit around it, evoking a sense of cosmic movement and energy. Within the black field, Miró has integrated symbolic shapes, including a star-like form and other abstract figures, which add an element of mystery and playfulness. The composition contrasts the deep, absorbing black with the scattered, joyful color, creating a lively yet contemplative space. This work reflects Miró’s fascination with the universe and his ability to transform abstract forms into imaginative cosmic landscapes
Nebuleuse, 1958
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Medium
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50.5 x 66 cm
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Details
Artist
Styles
Lithography on Arches paper - Plate size: 50.5 x 66 cm - Published by Maeght, Paris. Catalog number: 187. Cataloged on page 115 of Joan Miró Lithographer II. // Joan Miró’s Nebuleuse (1958) is a lithograph that encapsulates his abstract and cosmic-inspired vision. The central black form, reminiscent of a nebula or celestial entity, is encircled by vibrant colored dots—red, yellow, green, and blue—that seem to orbit around it, evoking a sense of cosmic movement and energy. Within the black field, Miró has integrated symbolic shapes, including a star-like form and other abstract figures, which add an element of mystery and playfulness. The composition contrasts the deep, absorbing black with the scattered, joyful color, creating a lively yet contemplative space. This work reflects Miró’s fascination with the universe and his ability to transform abstract forms into imaginative cosmic landscapes
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Currently Not Available
What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.