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Suite: Passage de l'egyptienne’ (The Egyptian Woman Passes) - Etching and Aquatint on Japan Nacré Paper - Published by Robert Lydie Dutroux, Paris - Literature: 1. Dupin, J. (2001). Miró Engraver, Vol. IV 1976-1983. Paris: Éditeur Daniel Lelong. - Reference: Dupin 1191 - Cataloging number: 257. Listed on page 626 of Miró: Catalogue des Livres Ilustrées. Patrick Cramer. 1989. // Passage De L'Égyptienne 3 by Joan Miró, created in 1985, is a limited edition etching and aquatint on Japan Nacré paper. Part of the Passage de l'egyptienne suite, this artwork showcases Miró's distinct abstract style with a focus on thin, expressive lines and bursts of color. The composition features a large circular form intersected by dynamic lines, surrounded by small colorful dots in yellow, green, purple, and brown, adding vibrancy to the piece. The title, The Egyptian Woman Passes, suggests a narrative or symbolic layer, encouraging viewers to explore possible meanings behind the abstract figures. Miró’s use of etching creates a textured surface, enriching the artwork's depth and inviting the viewer into a whimsical yet contemplative space that reflects his imaginative vision.
Passage De L'Egyptienne 3, 1985
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64.5 x 45.8 cm
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Details
Artist
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Suite: Passage de l'egyptienne’ (The Egyptian Woman Passes) - Etching and Aquatint on Japan Nacré Paper - Published by Robert Lydie Dutroux, Paris - Literature: 1. Dupin, J. (2001). Miró Engraver, Vol. IV 1976-1983. Paris: Éditeur Daniel Lelong. - Reference: Dupin 1191 - Cataloging number: 257. Listed on page 626 of Miró: Catalogue des Livres Ilustrées. Patrick Cramer. 1989. // Passage De L'Égyptienne 3 by Joan Miró, created in 1985, is a limited edition etching and aquatint on Japan Nacré paper. Part of the Passage de l'egyptienne suite, this artwork showcases Miró's distinct abstract style with a focus on thin, expressive lines and bursts of color. The composition features a large circular form intersected by dynamic lines, surrounded by small colorful dots in yellow, green, purple, and brown, adding vibrancy to the piece. The title, The Egyptian Woman Passes, suggests a narrative or symbolic layer, encouraging viewers to explore possible meanings behind the abstract figures. Miró’s use of etching creates a textured surface, enriching the artwork's depth and inviting the viewer into a whimsical yet contemplative space that reflects his imaginative vision.
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Lithograph
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Limited Edition Print
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What is automatism?
Automatism refers to a technique in the creative process that accesses material from the unconscious or subconscious mind. It is based on Sigmund Freud’s psychoanalytic method of free association. Artists value this process for its ability to inspire creative thought and spontaneous creation.