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Published by Lincoln Center for the Performing Arts - Printers Proof copy // Joel Shapiro’s Untitled (Red Cubism) is a silkscreen print that exemplifies his exploration of form, abstraction, and geometry. In this dynamic composition, scattered black and red angular shapes float across a pale background, creating a sense of movement and fragmentation. The use of bold, solid colors—red and black—contrasts sharply with the surrounding white space and soft, textured brushstrokes. These fragmented forms recall the principles of Cubism, where objects are broken into geometric shapes and reassembled in an abstract manner. This piece, published by the Lincoln Center for the Performing Arts, reflects Shapiro’s continual engagement with minimalist abstraction and his ability to evoke movement through simple forms. The print is hand-signed and marked as a printer's proof, adding to its unique value.
Untitled (Red Cubism), 2006
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Medium
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93.3 x 69.9 cm
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Details
Artist
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Published by Lincoln Center for the Performing Arts - Printers Proof copy // Joel Shapiro’s Untitled (Red Cubism) is a silkscreen print that exemplifies his exploration of form, abstraction, and geometry. In this dynamic composition, scattered black and red angular shapes float across a pale background, creating a sense of movement and fragmentation. The use of bold, solid colors—red and black—contrasts sharply with the surrounding white space and soft, textured brushstrokes. These fragmented forms recall the principles of Cubism, where objects are broken into geometric shapes and reassembled in an abstract manner. This piece, published by the Lincoln Center for the Performing Arts, reflects Shapiro’s continual engagement with minimalist abstraction and his ability to evoke movement through simple forms. The print is hand-signed and marked as a printer's proof, adding to its unique value.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
