Sam Francis

Untitled, 1984

106.7 X 73 inch

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Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts)

John Baldessari's The Intersection Series: Person on Horse and Person Falling from Horse, with Audience, C-print, juxtaposed scenes of riders and audience.
John Baldessari's The Intersection Series: Person on Horse and Person Falling from Horse, with Audience, C-print, juxtaposed scenes of riders and audience.
John Baldessari's The Intersection Series: Person on Horse and Person Falling from Horse, with Audience, C-print, juxtaposed scenes of riders and audience.

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// John Baldessari's The Intersection Series: Person on Horse and Person Falling from Horse, with Audience (2001-2002) is a compelling C-print that explores themes of action, observation, and fragmented narrative. This artwork juxtaposes scenes of two riders—one seated on a horse and the other mid-fall—with colorful close-up images of an audience observing or reacting. The combination of black-and-white and color elements creates a striking visual contrast that draws attention to the intersections between spectator and spectacle, presence and absence. Baldessari’s composition invites viewers to consider the relationships between the depicted figures, sparking curiosity about the narrative connections and the ambiguous moment captured. Known for his innovative approach, Baldessari uses this series to blur the lines between cinematic stills and conceptual photography.

Artwork Copyright © John Baldessari

John Baldessari

The Intersection Series: Person on Horse and Person Falling from Horse, with Audience, 2001-2002

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39.1 x 36.8   cm
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// John Baldessari's The Intersection Series: Person on Horse and Person Falling from Horse, with Audience (2001-2002) is a compelling C-print that explores themes of action, observation, and fragmented narrative. This artwork juxtaposes scenes of two riders—one seated on a horse and the other mid-fall—with colorful close-up images of an audience observing or reacting. The combination of black-and-white and color elements creates a striking visual contrast that draws attention to the intersections between spectator and spectacle, presence and absence. Baldessari’s composition invites viewers to consider the relationships between the depicted figures, sparking curiosity about the narrative connections and the ambiguous moment captured. Known for his innovative approach, Baldessari uses this series to blur the lines between cinematic stills and conceptual photography.

Artwork Copyright © John Baldessari
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John Baldessari Throwing Three Balls in the Air to Get a Straight Line (1973), conceptual photographic series of twelve offset lithographs exploring chance and composition.

John Baldessari

Throwing Three Balls In The Air To Get A Straight Line (Best Of Thirty-Six Attempts), 1973

Photography

Offset Print

EUR 8,400

John Baldessari, The First $100,000 I Ever Made, lithograph, $100,000 bill with Woodrow Wilson, humorously titled at bottom.

John Baldessari

The First $100,000 I Ever Made, 2012

Limited Edition Print

Lithograph

USD 5,500

John Baldessari's Triad screen print of a realistic pear with the text LUXURY SEDAN below, highlighting humor through juxtaposition.

John Baldessari

Triad, 2017

Limited Edition Print

Screen-print

USD 6,600

John Baldessari's Adam Wasn't Into It screen print of a green apple with the text YOU MAY LIKE below, humorously challenging consumer culture.

John Baldessari

Adam Wasn't Into It, 2017

Limited Edition Print

Screen-print

USD 6,600

John Baldessari, Yogurt, screen-print, realistic avocado half with pit on white background, humorously labeled Yogurt below.

John Baldessari

Yogurt, 2017

Limited Edition Print

Screen-print

USD 6,600

John Baldessari, I Have an Elephant, screen-print, realistic peanuts on white background labeled Xmas Cake below.

John Baldessari

I Have An Elephant, 2017

Limited Edition Print

Screen-print

USD 6,600

John Baldessari, Truffle Butter, screen-print, realistic corn cob with husk on white background, humorously labeled Truffle Butter below.

John Baldessari

Truffle Butter, 2017

Limited Edition Print

Screen-print

USD 6,600

John Baldessari's Raised Eyebrows/Furrowed Foreheads, screen-print, features a blurred face with red, white, and blue wavy lines on the forehead.

John Baldessari

Raised Eyebrows/Furrowed Foreheads (Red, White And Blue) From The Artist For Obama Portfolio, 2008

Limited Edition Print

Screen-print

USD 1,950

John Baldessari's Falling Star, a vertical mixed media print with a yellow shooting star, blue and red circles over black-and-white industrial photos.

John Baldessari

Falling Star, 1989-90

Limited Edition Print

Mixed Media

Inquire For Price

John Baldessari's Two Hands (With Distant Figure), a mixed media print with photorealistic yellow hand, abstract pink hand, and blurred background figure.

John Baldessari

Two Hands (With Distant Figure), 1989-1990

Limited Edition Print

Mixed Media

USD 5,500

John Baldessari's Six Rooms, grid-like arrangement of black-and-white photos with handwritten text, minimalistic conceptual photolithograph.

John Baldessari

Six Rooms, 1993

Photography

Photograph

USD 2,950

John Baldessari's Two Figures (One with Shadow), 1986, black-and-white etching with contrasting beach and violent scenes, accented by red shadow.

John Baldessari

Two Figures (One With Shadow), 1986

Limited Edition Print

Etching And Aquatint

USD 2,500

John Baldessari's Seeds, 1986, black-and-white etching featuring hands holding a sliced fruit with a network of seeds, contrasted by an abstract shape above.

John Baldessari

Seeds, 1986

Limited Edition Print

Etching And Aquatint

USD 2,250

John Baldessari's Deer and Octopus, 1986, etching of intertwined deer legs and octopus tentacles on a green textured background.

John Baldessari

Deer And Octopus, 1986

Limited Edition Print

Etching And Aquatint

USD 2,250

John Baldessari's Girl with Teddy Bear, 1988, mixed media print with grayscale image of a girl and blue teddy bear, orange circle obscuring face.

John Baldessari

Girl With Teddy Bear, 1988

Limited Edition Print

Mixed Media

USD 14,000

John Baldessari Red Slipper, 2015 lithograph of a worn red slipper with frayed edges on a muted background, exploring themes of decay.

John Baldessari

Red Slipper, 2015

Limited Edition Print

Lithograph

USD 6,600

John Baldessari, Front Row Suite, silkscreen, colorful abstracted figures and faceless celebrities in fashion critique of consumer culture.

John Baldessari

Front Row Suite, 2015

Limited Edition Print

Silkscreen

USD 83,000 - 90,000

John Baldessari, Visionaire 64 Art Portfolio (Blue), set of ten black-and-white prints with bold color overlays in abstract shapes.

John Baldessari

Visionaire 64 Art Portfolio (Blue), 2014

Limited Edition Print

Screen-print

Currently Not Available

John Baldessari, Dustin Hoffman, embossed lithographic print; portrait of Hoffman with abstract orange and gray shapes.

John Baldessari

Dustin Hoffman, 2018

Limited Edition Print

Embossing

Currently Not Available

John Baldessari, Double Motorcyclists and Landscape (Icelandic), lithograph; Icelandic landscape with layered, ghostly motorcyclists above.

John Baldessari

Double Motorcyclists And Landscape (Icelandic), 2003

Limited Edition Print

Lithograph

Currently Not Available

John Baldessari's Engraving with Sound: Belch, inkjet print of a beached creature with extended tongue and caption BELCH.

John Baldessari

Engraving With Sound: Belch, 2016

Limited Edition Print

Inkjet Print

Currently Not Available

John Baldessari's The Intersection Series: Person on Horse and Person Falling from Horse, with Audience, C-print, juxtaposed scenes of riders and audience.

John Baldessari

The Intersection Series: Person On Horse And Person Falling From Horse, With Audience, 2001-2002

Photography

C-Print

Currently Not Available

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What is geometric abstract art?
Artwork by Francois Morellet

What is geometric abstract art?

Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.

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