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// Sense títol II by Jordi Alcaraz, created in 2024, is a mixed media piece that explores the tension between form, material, and void. The artwork features a complex layering of translucent and opaque materials, framed within a simple wooden structure. The swirling shapes and abstract marks etched into the transparent surface evoke movement and fluidity, as if the medium itself is in a state of transformation. Alcaraz’s use of mixed media blurs the line between two-dimensional and three-dimensional space, inviting the viewer to explore the interplay between visibility and absence. This artwork, part of a limited edition of 14 plus HC, presents a delicate yet dynamic composition, offering a subtle commentary on perception and materiality.
Sense títol II, 2024
form
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76 x 60.5 cm
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- Centimeters
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Details
Artist
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// Sense títol II by Jordi Alcaraz, created in 2024, is a mixed media piece that explores the tension between form, material, and void. The artwork features a complex layering of translucent and opaque materials, framed within a simple wooden structure. The swirling shapes and abstract marks etched into the transparent surface evoke movement and fluidity, as if the medium itself is in a state of transformation. Alcaraz’s use of mixed media blurs the line between two-dimensional and three-dimensional space, inviting the viewer to explore the interplay between visibility and absence. This artwork, part of a limited edition of 14 plus HC, presents a delicate yet dynamic composition, offering a subtle commentary on perception and materiality.
What is Spatialism?
Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.