
Details
Artist
Styles
// This untitled silkscreen print by Jörg Immendorff, often referred to as Red Man, presents a complex and symbolic scene. Created in 2006, it features a nude, red-hued figure crouching with hands over its head in a gesture of distress or contemplation. Surrounding the figure is a dark, grid-like background adorned with motifs of eyes and abstracted tree forms, which evoke a sense of surveillance, introspection, or existential tension. The contrast between the fleshy figure and the rigid, patterned background amplifies the sense of isolation and inner turmoil. Immendorff, known for his politically and socially charged works, seems to explore themes of vulnerability, societal pressure, and self-reflection in this evocative composition.
no title (Red Man), 2006
form
Medium
Size
107 x 78.5 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
// This untitled silkscreen print by Jörg Immendorff, often referred to as Red Man, presents a complex and symbolic scene. Created in 2006, it features a nude, red-hued figure crouching with hands over its head in a gesture of distress or contemplation. Surrounding the figure is a dark, grid-like background adorned with motifs of eyes and abstracted tree forms, which evoke a sense of surveillance, introspection, or existential tension. The contrast between the fleshy figure and the rigid, patterned background amplifies the sense of isolation and inner turmoil. Immendorff, known for his politically and socially charged works, seems to explore themes of vulnerability, societal pressure, and self-reflection in this evocative composition.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.