Sam Francis

Untitled, 1984

106.7 X 73 inch

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Variants II, from Ten Variants

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Variants IV, from Ten Variants

Josef Albers' Variants I, screen print, shows nested yellow and ochre rectangles, exploring depth through color variations and geometric simplicity.

Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers’ Variants I, from Ten Variants (1966) is a screen print that highlights his mastery of color theory and minimalistic geometry. This piece, printed on Rives BFK paper, is part of a series that explores the subtle variations in color perception through simple rectangular forms. The composition consists of nested rectangles in different shades of yellow and ochre, creating an optical illusion of depth and dimension. The strategic arrangement of colors and shapes engages the viewer, inviting them to experience the interplay of light and color shift. Published by Ives-Sillman, Inc. in New Haven, the piece is signed, titled, dated, and numbered, emphasizing its authenticity and importance in Albers’ exploration of visual perception.

Artwork Copyright © Josef Albers

Variants I, from Ten Variants, 1966

form

Medium

Edition

Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers’ Variants I, from Ten Variants (1966) is a screen print that highlights his mastery of color theory and minimalistic geometry. This piece, printed on Rives BFK paper, is part of a series that explores the subtle variations in color perception through simple rectangular forms. The composition consists of nested rectangles in different shades of yellow and ochre, creating an optical illusion of depth and dimension. The strategic arrangement of colors and shapes engages the viewer, inviting them to experience the interplay of light and color shift. Published by Ives-Sillman, Inc. in New Haven, the piece is signed, titled, dated, and numbered, emphasizing its authenticity and importance in Albers’ exploration of visual perception.

Artwork Copyright © Josef Albers

Josef Albers

Homage To Square, 1971

Limited Edition Print

Screen-print

USD 6,200

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

USD 40,000 - 50,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

I-S VA 4 (from Six Variants Suite), 1969

Limited Edition Print

Screen-print

USD 5,000 - 7,000

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

I-S Va 3, 1969

Limited Edition Print

Screen-print

Currently Not Available

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What is minimalism?

Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.

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