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Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers' Variants II, from Ten Variants (1966) is a screenprint on Rives BFK paper, measuring 43.2 x 43.2 cm. This print showcases Albers' exploration of color relationships through geometric abstraction. The composition is structured with overlapping rectangular shapes in a harmonious palette of green, yellow, blue, and white. The translucent layers create an optical play, as the colors interact and form new shades where they intersect. Albers’ precise and calculated approach highlights his interest in how colors shift in perception based on their context. The work exemplifies his mastery in balancing form and hue to produce a sense of depth and dynamic movement within a minimalist framework.
Variants II, from Ten Variants, 1966
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Medium
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43.2 x 43.2 cm
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Details
Artist
Styles
Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers' Variants II, from Ten Variants (1966) is a screenprint on Rives BFK paper, measuring 43.2 x 43.2 cm. This print showcases Albers' exploration of color relationships through geometric abstraction. The composition is structured with overlapping rectangular shapes in a harmonious palette of green, yellow, blue, and white. The translucent layers create an optical play, as the colors interact and form new shades where they intersect. Albers’ precise and calculated approach highlights his interest in how colors shift in perception based on their context. The work exemplifies his mastery in balancing form and hue to produce a sense of depth and dynamic movement within a minimalist framework.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.