Sam Francis

Untitled, 1984

106.7 X 73 inch

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How to Make a Rainbow

Joseph Cornell's Untitled (Black Sand Box), circa 1950, mixed media sculpture featuring a red radiating background with a metal ring inside a black wooden box.

Mixed Media Collage, glass, wood, sand, metal and paper in wooden box construction - Signed on reverse // Untitled (Black Sand Box) by Joseph Cornell, created around 1950, is a mixed media assemblage that reflects Cornell’s unique approach to sculpture and his fascination with memory, nostalgia, and the passage of time. This work, constructed within a shallow wooden box, features a meticulously arranged composition of materials such as sand, glass, metal, and paper. The dominant red background inside the box has a radiating pattern, which seems to emanate from a small metal ring positioned near the bottom edge, adding a sense of depth and contemplation to the piece. The weathered black frame enhances the mysterious and evocative quality of the artwork.Cornell, known for his shadow boxes and use of found objects, often transformed simple materials into poetic and dreamlike assemblages. The abstract simplicity of this piece invites reflection on themes of impermanence and introspection. Signed on the reverse, this piece exemplifies Cornell's ability to create intimate, enigmatic worlds within small, confined spaces, merging the tangible with the imaginary.

Artwork Copyright © Joseph Cornell

Untitled (Black Sand Box), c. 1950

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Medium

Edition

Mixed Media Collage, glass, wood, sand, metal and paper in wooden box construction - Signed on reverse // Untitled (Black Sand Box) by Joseph Cornell, created around 1950, is a mixed media assemblage that reflects Cornell’s unique approach to sculpture and his fascination with memory, nostalgia, and the passage of time. This work, constructed within a shallow wooden box, features a meticulously arranged composition of materials such as sand, glass, metal, and paper. The dominant red background inside the box has a radiating pattern, which seems to emanate from a small metal ring positioned near the bottom edge, adding a sense of depth and contemplation to the piece. The weathered black frame enhances the mysterious and evocative quality of the artwork.Cornell, known for his shadow boxes and use of found objects, often transformed simple materials into poetic and dreamlike assemblages. The abstract simplicity of this piece invites reflection on themes of impermanence and introspection. Signed on the reverse, this piece exemplifies Cornell's ability to create intimate, enigmatic worlds within small, confined spaces, merging the tangible with the imaginary.

Artwork Copyright © Joseph Cornell

Joseph Cornell

The Smile In The Giftshop, c. 1960

Drawing / Watercolor

Mixed Media

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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Joseph Cornell's Untitled (Black Sand Box)

Joseph Cornell

Untitled (Black Sand Box), c. 1950

Sculpture / Object

Mixed Media

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