Sam Francis

Untitled, 1984

106.7 X 73 inch

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El mapa de Miranda y la disciplina de Nietzsche

Joseph Kosuth’s Titled Quotation (for L.C.), screen print, shows bold white text on a black background with the quote One only finishes the finished work.
Known for his exploration of language and meaning within the realm of art, Joseph Kosuth is a conceptual artist whose works are largely text-based and often self-referential - his earliest conceptual work, Leaning Glass, consisted of an object, a photograph of the same object and dictionary definitions of the words denoting it & Read More
Artwork Copyright © Joseph Kosuth

Titled Quotation (for L.C.) from the portfolio of Leo Castelli's 90th Birthday, 1997

form
Medium

Screenprint with hot foil stamping // Titled Quotation (for L.C.) from the portfolio of Leo Castell (...) Show More
Known for his exploration of language and meaning within the realm of art, Joseph Kosuth is a conceptual artist whose works are largely text-based and often self-referential - his earliest conceptual work, Leaning Glass, consisted of an object, a photograph of the same object and dictionary definitions of the words denoting it & Read More
Artwork Copyright © Joseph Kosuth

Joseph Kosuth

Titled Quotation (for L.C.) From The Portfolio Of Leo Castelli's 90th Birthday, 1997

Limited Edition Print

Screen-print

USD 1,650

Joseph Kosuth

El Mapa De Miranda Y La Disciplina De Nietzsche, 2004

Sculpture / Object

Engraving

USD 6,000

Joseph Kosuth

Titled Quotation (for L.C.), 1997

Limited Edition Print

Screen-print

Inquire For Price

Joseph Kosuth

Wittgenstein's Colour, 1989

Sculpture / Object

Mixed Media

EUR 29,300

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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