Sam Francis

Untitled, 1984

106.7 X 73 inch

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Ombra y Oscuridad

Juan Uslé's Los sueños perdidos, 2002 serigraph, with bold stripes, swirls, and geometric shapes in red, blue, yellow, and white.

// Los sueños perdidos by Juan Uslé is a vibrant serigraph from 2002 that explores themes of memory and abstraction through a tapestry of dynamic patterns and colors. The composition is filled with an energetic interplay of bold shapes, including stripes, swirls, and geometric forms in hues of red, blue, yellow, and white. These elements are layered and juxtaposed, creating a sense of depth and movement reminiscent of dreams or fragmented memories. Uslé's use of vivid colors and repetitive patterns invites viewers to immerse themselves in an intricate visual rhythm, suggesting an abstract narrative of lost or fragmented dreams.

Artwork Copyright © Juan Usle

Los sueños perdidos, 2002

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Medium

Edition

// Los sueños perdidos by Juan Uslé is a vibrant serigraph from 2002 that explores themes of memory and abstraction through a tapestry of dynamic patterns and colors. The composition is filled with an energetic interplay of bold shapes, including stripes, swirls, and geometric forms in hues of red, blue, yellow, and white. These elements are layered and juxtaposed, creating a sense of depth and movement reminiscent of dreams or fragmented memories. Uslé's use of vivid colors and repetitive patterns invites viewers to immerse themselves in an intricate visual rhythm, suggesting an abstract narrative of lost or fragmented dreams.

Artwork Copyright © Juan Usle

Juan Usle

The Book Of Landscapes II, 1987

Drawing / Watercolor

Mixed Media

Inquire For Price

Juan Usle

The Book Of Landscapes I, 1987

Drawing / Watercolor

Mixed Media

Inquire For Price

Juan Usle

Umbral -Dusseldörf, 2001

Photography

Mixed Media

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What is Hard Edge Art?

Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

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