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Cibachrome // Juan Uslé’s Umbral - Düsseldorf (2001) is a striking mixed media work captured in Cibachrome, measuring 33 x 49 cm. This artwork employs deep, immersive blues, creating a mesmerizing gradient effect that contrasts with the darkness framing the central light columns. The vertical alignment of lines and their glowing intensity suggest a sense of movement and rhythm, reminiscent of the pulse and energy found in urban landscapes. Uslé's abstract visual language transforms light into a tactile, almost sculptural form, inviting viewers to experience the interplay of color and illumination. The piece captures an essence of threshold, or umbral, between light and shadow, evoking contemplation of perception and space.
Umbral -Dusseldörf, 2001
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33 x 49 cm
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Cibachrome // Juan Uslé’s Umbral - Düsseldorf (2001) is a striking mixed media work captured in Cibachrome, measuring 33 x 49 cm. This artwork employs deep, immersive blues, creating a mesmerizing gradient effect that contrasts with the darkness framing the central light columns. The vertical alignment of lines and their glowing intensity suggest a sense of movement and rhythm, reminiscent of the pulse and energy found in urban landscapes. Uslé's abstract visual language transforms light into a tactile, almost sculptural form, inviting viewers to experience the interplay of color and illumination. The piece captures an essence of threshold, or umbral, between light and shadow, evoking contemplation of perception and space.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.