
Details
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Screen print in 12 colours on archival museum board - Signed and numbered in pencil, verso // Julian Opie's Dance Synced 4 (2024) continues his exploration of movement and form through simplified, faceless figures. Set against a warm beige background, this screen print presents four stylized dancers, each outlined in thick black and dressed in colorful outfits—orange, blue, yellow, and red. Their poses suggest a synchronized rhythm, capturing the essence of dance in a minimalistic and contemporary way. The contrasting colors and distinctive body language of each figure add individuality while conveying a collective energy. Printed in 12 colors on archival museum board, this artwork is signed and numbered on the verso and is part of a limited edition of 45, with 5 artist proofs. Dance Synced 4 exemplifies Opie's ability to evoke human expression and motion with clarity and simplicity, transforming everyday gestures into iconic imagery.
Dance Synced 4, 2024
form
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95.9 x 151.1 cm
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Details
Artist
Styles
Screen print in 12 colours on archival museum board - Signed and numbered in pencil, verso // Julian Opie's Dance Synced 4 (2024) continues his exploration of movement and form through simplified, faceless figures. Set against a warm beige background, this screen print presents four stylized dancers, each outlined in thick black and dressed in colorful outfits—orange, blue, yellow, and red. Their poses suggest a synchronized rhythm, capturing the essence of dance in a minimalistic and contemporary way. The contrasting colors and distinctive body language of each figure add individuality while conveying a collective energy. Printed in 12 colors on archival museum board, this artwork is signed and numbered on the verso and is part of a limited edition of 45, with 5 artist proofs. Dance Synced 4 exemplifies Opie's ability to evoke human expression and motion with clarity and simplicity, transforming everyday gestures into iconic imagery.
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What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.