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Inkjet on paper, mounted on Dibond in aluminium frame - Series: French Villages - Hand signed, numbered verso on gallery label // French Village 2 by Julian Opie is an inkjet print on paper, mounted on Dibond and framed in aluminum. Created in 2021 as part of Opie's French Villages series, this work portrays a serene village street scene through minimalistic, geometric forms. The muted color palette of beige, brown, and gray tones captures the quiet ambiance of an empty, sunlit street, inviting the viewer into a peaceful yet abstracted environment. Opie's signature style, blending realism with abstraction, reduces the village architecture to essential shapes and colors, highlighting the scene's structural elegance. Hand-signed and limited to 12 prints plus 2 artist proofs, it reflects Opie's refined approach to depicting ordinary settings with modern simplicity.
French Village 2, 2021
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153.8 x 227.9 X 5 cm
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Details
Artist
Styles
Inkjet on paper, mounted on Dibond in aluminium frame - Series: French Villages - Hand signed, numbered verso on gallery label // French Village 2 by Julian Opie is an inkjet print on paper, mounted on Dibond and framed in aluminum. Created in 2021 as part of Opie's French Villages series, this work portrays a serene village street scene through minimalistic, geometric forms. The muted color palette of beige, brown, and gray tones captures the quiet ambiance of an empty, sunlit street, inviting the viewer into a peaceful yet abstracted environment. Opie's signature style, blending realism with abstraction, reduces the village architecture to essential shapes and colors, highlighting the scene's structural elegance. Hand-signed and limited to 12 prints plus 2 artist proofs, it reflects Opie's refined approach to depicting ordinary settings with modern simplicity.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.