![Julian Opie, View From My Hotel Room, video art. A serene digital animation of a blue horizon with distant land and a buoy. Julian Opie, View From My Hotel Room, video art. A serene digital animation of a blue horizon with distant land and a buoy.](https://media.composition.gallery/artworkpic/julian-opie-view-from-my-hotel-room-video-art-available-for-sale-on-composition-gallery1697204645-10045_500x426.png)
![Julian Opie, View From My Hotel Room, video art. A serene digital animation of a blue horizon with distant land and a buoy. Julian Opie, View From My Hotel Room, video art. A serene digital animation of a blue horizon with distant land and a buoy.](https://media.composition.gallery/artworkpic/julian-opie-view-from-my-hotel-room-video-art-available-for-sale-on-composition-gallery1697204646-31294_200x142.jpg)
![Julian Opie, View From My Hotel Room, video art. A serene digital animation of a blue horizon with distant land and a buoy. Julian Opie, View From My Hotel Room, video art. A serene digital animation of a blue horizon with distant land and a buoy.](https://media.composition.gallery/artworkpic/julian-opie-view-from-my-hotel-room-video-art-available-for-sale-on-composition-gallery1697204645-10045_500x426.png)
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Artist
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Continuous computer animation on a 15 inch LCD screen - Signed and numbered on the label (verso) // View From My Hotel Room by Julian Opie is a limited edition video art piece from 2008. This digital artwork features a continuous computer animation displayed on a 15-inch LCD screen, creating a minimalist seascape. The composition highlights the calm horizon, where shades of blue define the sky and sea, creating a serene atmosphere. The horizon line subtly divides the work, with distant landforms and a small buoy seen in the far distance, emphasizing isolation and tranquility. The piece's simplicity and digital execution reflect Opie’s characteristic style, blending technology and fine art.
View From My Hotel Room, 2008
form
Medium
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27 x 35.3 X 4 cm
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Edition
Price
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Details
Artist
Styles
Continuous computer animation on a 15 inch LCD screen - Signed and numbered on the label (verso) // View From My Hotel Room by Julian Opie is a limited edition video art piece from 2008. This digital artwork features a continuous computer animation displayed on a 15-inch LCD screen, creating a minimalist seascape. The composition highlights the calm horizon, where shades of blue define the sky and sea, creating a serene atmosphere. The horizon line subtly divides the work, with distant landforms and a small buoy seen in the far distance, emphasizing isolation and tranquility. The piece's simplicity and digital execution reflect Opie’s characteristic style, blending technology and fine art.
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Julian Opie
View Of Loop Bridge Seen From Route 41, 2009
Limited Edition Print
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EUR 5,500
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Elena And Cressie Get Ready For The Party 1, 2011
Limited Edition Print
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Julian Opie
Elena And Cressie Get Ready For The Party 4, 2011
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Julian Opie
Elena And Cressie Get Ready For The Party 3, 2011
Limited Edition Print
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Julian Opie
Elena And Cressie Get Ready For The Party 2, 2011
Limited Edition Print
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USD 5,150
Julian Opie
Imagine You Are Driving (fast)/Rio/helmet, 2002
Limited Edition Print
Lambda Print
USD 8,990
Julian Opie
Imagine You Are Driving (fast)/Olivier W/helmet, 2002
Limited Edition Print
Lambda Print
USD 8,000
Julian Opie
Still Life With Aubergines And Cucumber, 2001
Limited Edition Print
Lambda Print
USD 3,700
Julian Opie
Cornish Coast - Gribbin Head, 2017
Limited Edition Print
Digital Print On Paper
EUR 14,500
Julian Opie
Elena And Cressie Get Ready For The Party 6, 2011
Limited Edition Print
Mixed Media
USD 7,800
Julian Opie
Australian Wood Duck (from Small Birds), 2021
Limited Edition Print
Mixed Media
USD 10,800
Julian Opie
View Of Boats On Lake Below Mt. Fuji, 2009
Limited Edition Print
Inkjet Print
Currently Not Available
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.