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Three silkscreens on museum board, each hand worked with monotype and poured resin - Hand-signed // Malfi (Set of Three) by Julian Schnabel, created in 1998, is a striking set of three silkscreen prints on museum board, each uniquely enhanced with monotype and poured resin. These dynamic works showcase Schnabel's signature use of bold gestural marks, with large, expressive red strokes dominating each piece. The resin adds a glossy texture and depth to the layered images, blending fluidity and abstraction with a sense of raw energy. The interplay of the red markings against the yellow background creates tension and movement, evoking a visceral emotional response. Hand-signed by the artist, this set exemplifies Schnabel’s innovative approach to combining painting and printmaking.
Malfi (Set of Three), 1998
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48.3 x 38 cm
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Details
Artist
Styles
Three silkscreens on museum board, each hand worked with monotype and poured resin - Hand-signed // Malfi (Set of Three) by Julian Schnabel, created in 1998, is a striking set of three silkscreen prints on museum board, each uniquely enhanced with monotype and poured resin. These dynamic works showcase Schnabel's signature use of bold gestural marks, with large, expressive red strokes dominating each piece. The resin adds a glossy texture and depth to the layered images, blending fluidity and abstraction with a sense of raw energy. The interplay of the red markings against the yellow background creates tension and movement, evoking a visceral emotional response. Hand-signed by the artist, this set exemplifies Schnabel’s innovative approach to combining painting and printmaking.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.