Sam Francis

Untitled, 1984

106.7 X 73 inch

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Victor Hugo Demo

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Allen (Cordial love)

Julian Schnabel's Nemo Librizzi, expressive 23-color screen print with poured resin, features an intense figure with white gestural strokes.
Julian Schnabel is an American painter, artist, and filmmaker, who was born in Brooklyn, NY in October 1951. Julian Schnabel first gained notice as an artist via his first one-man show in 1979. He has had numerous subsequent solo exhibits all over the globe. In addition to his painting, Schnabel has also had much success in film Read More
Artwork Copyright © Julian Schnabel

Nemo Librizzi, 1998

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Medium

23-color sreenprint with poured resin - Hand-signed by artist // Nemo Librizzi by Julian Schnabel (...) Show More
Julian Schnabel is an American painter, artist, and filmmaker, who was born in Brooklyn, NY in October 1951. Julian Schnabel first gained notice as an artist via his first one-man show in 1979. He has had numerous subsequent solo exhibits all over the globe. In addition to his painting, Schnabel has also had much success in film Read More
Artwork Copyright © Julian Schnabel

Julian Schnabel

Malfi (Set Of Three), 1998

Limited Edition Print

Silkscreen

USD 9,250

Julian Schnabel

Roy, 1998

Limited Edition Print

Silkscreen

USD 4,800

Julian Schnabel

Guiseppe (Brooding On The Vast Abyss), 1998

Limited Edition Print

Silkscreen

USD 4,800

Julian Schnabel

Bandini From View Of Dawn In The Tropics Series, 1998

Limited Edition Print

Silkscreen

USD 4,700

Julian Schnabel

Victor Hugo Demo, 1998

Limited Edition Print

Silkscreen

USD 5,200

Julian Schnabel

Nemo Librizzi, 1998

Limited Edition Print

Silkscreen

USD 3,600

Julian Schnabel

Allen (Cordial Love), 1998

Limited Edition Print

Silkscreen

USD 4,990

Julian Schnabel

A Boy From Naples Year, 1986

Limited Edition Print

Mixed Media

Currently Not Available

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What is matter painting?

Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.

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