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// Como el Viento by Karel Appel, created in 1988, is an expressive etching and aquatint that embodies movement and energy, much like the title suggests, translating to Like the Wind. The composition features a series of abstract, gestural lines and shapes in bold black, orange, and hints of red, set against a light pink background. The chaotic, sweeping lines suggest figures or forms in motion, capturing a fleeting moment with a sense of spontaneity and fluidity. Appel, a founding member of the COBRA movement, is known for his raw, emotive style, and in this piece, he conveys a sense of freedom and intensity, reminiscent of wind’s unpredictable path. Measuring 76 cm by 55 cm, this limited edition print invites viewers to interpret its forms, evoking themes of vitality, nature’s force, and dynamic movement.
Como el Viento, 1988
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76 x 55 cm
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Details
Artist
Styles
// Como el Viento by Karel Appel, created in 1988, is an expressive etching and aquatint that embodies movement and energy, much like the title suggests, translating to Like the Wind. The composition features a series of abstract, gestural lines and shapes in bold black, orange, and hints of red, set against a light pink background. The chaotic, sweeping lines suggest figures or forms in motion, capturing a fleeting moment with a sense of spontaneity and fluidity. Appel, a founding member of the COBRA movement, is known for his raw, emotive style, and in this piece, he conveys a sense of freedom and intensity, reminiscent of wind’s unpredictable path. Measuring 76 cm by 55 cm, this limited edition print invites viewers to interpret its forms, evoking themes of vitality, nature’s force, and dynamic movement.
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Karel Appel
The Clown With The Golden Tears, 1978
Limited Edition Print
Etching And Aquatint
USD 2,000
Karel Appel
Plus Malin Et Plus Debile Que Nous, 1978
Limited Edition Print
Woodcut
Currently Not Available
What is Tachisme?
Tachisme is a French abstract painting style that gained popularity between 1940 and 1950, often seen as the European counterpart to Abstract Expressionism. However, there are stylistic differences between the two. Tachisme, which emerged from Art Informel, rejected geometric abstraction in favor of more intuitive and spontaneous expression. It was a reaction against the structured forms of Cubism and is closely related to Informalism. Tachisme emphasizes gestural brushwork, irregular forms, and a focus on the process of painting itself.