
Details
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Original Painted Wood -Hand Signed and Dated by Appel // Karel Appel's Flower with Blue Eyes (1977) is a playful and vibrant painted wood sculpture that showcases his signature abstract expressionist style. This piece, hand-signed and dated by Appel, features exaggerated shapes and bold, lively colors, including rich blues, greens, reds, and yellows. The composition, which appears to be a fusion of floral and anthropomorphic forms, includes a prominent flower-like shape with large blue eyes, giving it a whimsical and surreal quality. Appel's use of thick, irregularly cut wood pieces layered together creates depth and texture, enhancing the sculpture’s energetic and spontaneous feel. This work exemplifies Appel's fascination with color and form, transforming simple shapes into an exuberant, dynamic composition.
Flower with Blue Eyes, 1977
form
Medium
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50.8 x 52.1 cm
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Price
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Details
Artist
Styles
Original Painted Wood -Hand Signed and Dated by Appel // Karel Appel's Flower with Blue Eyes (1977) is a playful and vibrant painted wood sculpture that showcases his signature abstract expressionist style. This piece, hand-signed and dated by Appel, features exaggerated shapes and bold, lively colors, including rich blues, greens, reds, and yellows. The composition, which appears to be a fusion of floral and anthropomorphic forms, includes a prominent flower-like shape with large blue eyes, giving it a whimsical and surreal quality. Appel's use of thick, irregularly cut wood pieces layered together creates depth and texture, enhancing the sculpture’s energetic and spontaneous feel. This work exemplifies Appel's fascination with color and form, transforming simple shapes into an exuberant, dynamic composition.
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Karel Appel
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Limited Edition Print
Etching And Aquatint
USD 2,000
Karel Appel
Plus Malin Et Plus Debile Que Nous, 1978
Limited Edition Print
Woodcut
Currently Not Available
What is action painting?
Action Painting is a style of painting where the physical act of creating art—such as gestural brushstrokes, splashing or dripping paint, or moving and dancing while applying paint—is considered essential to the artwork itself. This approach emphasizes the artist's movement and spontaneity as integral to the creative process.