


Details
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Color lithograph on paper - Published by The Metropolitan Opera - Suite: The Metropolitan Opera II Suite - In excellent condition - Hand signed and numbered // Il Pagliacci by Karel Appel, created in 1984, is a limited edition color lithograph from The Metropolitan Opera II Suite. The work showcases Appel’s signature expressionistic style, characterized by bold, energetic strokes and a vibrant color palette. The central figure, an Italian clown, is depicted with exaggerated features and emotional intensity, blending abstraction with figuration. The use of bright reds, blues, and greens against a dark background highlights the figure’s dramatic and somewhat melancholic expression, evoking the operatic themes of tragedy and performance. The piece is hand-signed and numbered, emphasizing its uniqueness and collectible value.
Il Pagliacci, 1984
form
Medium
Size
76.2 x 55.9 cm
- Inches
- Centimeters
Edition
Price
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- GBP
Details
Artist
Styles
Color lithograph on paper - Published by The Metropolitan Opera - Suite: The Metropolitan Opera II Suite - In excellent condition - Hand signed and numbered // Il Pagliacci by Karel Appel, created in 1984, is a limited edition color lithograph from The Metropolitan Opera II Suite. The work showcases Appel’s signature expressionistic style, characterized by bold, energetic strokes and a vibrant color palette. The central figure, an Italian clown, is depicted with exaggerated features and emotional intensity, blending abstraction with figuration. The use of bright reds, blues, and greens against a dark background highlights the figure’s dramatic and somewhat melancholic expression, evoking the operatic themes of tragedy and performance. The piece is hand-signed and numbered, emphasizing its uniqueness and collectible value.
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Karel Appel
The Clown With The Golden Tears, 1978
Limited Edition Print
Etching And Aquatint
USD 2,000
Karel Appel
Plus Malin Et Plus Debile Que Nous, 1978
Limited Edition Print
Woodcut
Currently Not Available
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.