
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// Putting Green Kiss by Karel Appel is a vibrant silkscreen print from 1978, featuring Appel's distinctive expressionist style. The artwork presents two abstracted, colorful faces—one red and one yellow—entwined in a close, almost playful embrace, set against a bold green background. Appel's energetic line work and vivid colors create a sense of dynamic movement, while the exaggerated facial features give the figures a whimsical, almost childlike quality. The thick black outlines and bright primary colors are typical of Appel’s expressive and emotive approach, inviting viewers to explore themes of connection, affection, and joy in a simplified, symbolic form.
Putting green kiss , 1978
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Medium
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76.2 x 104 cm
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Details
Artist
Styles
// Putting Green Kiss by Karel Appel is a vibrant silkscreen print from 1978, featuring Appel's distinctive expressionist style. The artwork presents two abstracted, colorful faces—one red and one yellow—entwined in a close, almost playful embrace, set against a bold green background. Appel's energetic line work and vivid colors create a sense of dynamic movement, while the exaggerated facial features give the figures a whimsical, almost childlike quality. The thick black outlines and bright primary colors are typical of Appel’s expressive and emotive approach, inviting viewers to explore themes of connection, affection, and joy in a simplified, symbolic form.
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Karel Appel
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Limited Edition Print
Etching And Aquatint
USD 2,000
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Plus Malin Et Plus Debile Que Nous, 1978
Limited Edition Print
Woodcut
Currently Not Available
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.