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// Salto sobre la cabeza by Karel Appel, created in 1988, is an expressive etching and aquatint that captures Appel's bold and gestural approach to abstraction. The piece presents dynamic, loosely defined figures rendered in thick, black lines against a warm, peach-toned background. The forms appear to depict a figure in mid-air, seemingly performing a leap or jump over another figure's head, suggesting movement and energy. Splashes of red and orange add vibrancy and depth, reinforcing the sense of action and spontaneity typical of Appel's style. This limited edition print, measuring 76 cm by 55 cm, reflects Appel's exploration of raw emotion and primal expression, hallmarks of the COBRA movement he helped establish. The work invites viewers to interpret its forms and gestures, evoking themes of freedom, vitality, and playful rebellion.
Salto sobre la cabeza, 1988
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Medium
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76 x 55 cm
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Details
Artist
Styles
// Salto sobre la cabeza by Karel Appel, created in 1988, is an expressive etching and aquatint that captures Appel's bold and gestural approach to abstraction. The piece presents dynamic, loosely defined figures rendered in thick, black lines against a warm, peach-toned background. The forms appear to depict a figure in mid-air, seemingly performing a leap or jump over another figure's head, suggesting movement and energy. Splashes of red and orange add vibrancy and depth, reinforcing the sense of action and spontaneity typical of Appel's style. This limited edition print, measuring 76 cm by 55 cm, reflects Appel's exploration of raw emotion and primal expression, hallmarks of the COBRA movement he helped establish. The work invites viewers to interpret its forms and gestures, evoking themes of freedom, vitality, and playful rebellion.
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Karel Appel
The Clown With The Golden Tears, 1978
Limited Edition Print
Etching And Aquatint
USD 2,000
Karel Appel
Plus Malin Et Plus Debile Que Nous, 1978
Limited Edition Print
Woodcut
Currently Not Available
What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.