
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Artist
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Etching with embossing - Circus suite #14 // Sun of the Incas by Karel Appel, a limited edition etching with embossing, draws viewers into a vibrant and primal realm. The composition showcases bold, abstract forms in intense colors. The central figures, stylized and simplified, appear surrounded by radiant, sun-like patterns, suggestive of ancient Incan symbolism. The work uses striking shades of blue, orange, and yellow against a dark background to create contrast and depth, infusing the image with energy and mysticism. Appel’s distinctive style blends childlike spontaneity with powerful symbolism, evoking a sense of ritual and myth.
Sun of the incas, 1978
form
Medium
Size
76.2 x 55.9 cm
- Inches
- Centimeters
Edition
Price
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Details
Artist
Styles
Etching with embossing - Circus suite #14 // Sun of the Incas by Karel Appel, a limited edition etching with embossing, draws viewers into a vibrant and primal realm. The composition showcases bold, abstract forms in intense colors. The central figures, stylized and simplified, appear surrounded by radiant, sun-like patterns, suggestive of ancient Incan symbolism. The work uses striking shades of blue, orange, and yellow against a dark background to create contrast and depth, infusing the image with energy and mysticism. Appel’s distinctive style blends childlike spontaneity with powerful symbolism, evoking a sense of ritual and myth.
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Limited Edition Print
Etching And Aquatint
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Plus Malin Et Plus Debile Que Nous, 1978
Limited Edition Print
Woodcut
Currently Not Available
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.