
Details
Artist
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Original Lithograph in black on gold and silver - Suite: Happy Meeting - Hand Signed In Pencil Lower Right // Karel Appel's The Woman with Golden Eye (1974) is a striking lithograph that combines his signature abstract expressionism with surreal elements. The artwork, part of the Happy Meeting suite, is printed in black on a reflective gold and silver background, creating a contrast that enhances its bold and dynamic forms. The image depicts a fantastical, abstract figure with exaggerated features and a singular golden eye that captures attention. Appel’s loose, energetic lines and expressive style evoke a sense of movement and spontaneity, inviting viewers to interpret the surreal composition. The hand-signed piece is a testament to Appel’s playful and unconventional approach to visual storytelling.
The Woman with Golden Eye, 1974
form
Medium
Size
66 x 48.9 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Original Lithograph in black on gold and silver - Suite: Happy Meeting - Hand Signed In Pencil Lower Right // Karel Appel's The Woman with Golden Eye (1974) is a striking lithograph that combines his signature abstract expressionism with surreal elements. The artwork, part of the Happy Meeting suite, is printed in black on a reflective gold and silver background, creating a contrast that enhances its bold and dynamic forms. The image depicts a fantastical, abstract figure with exaggerated features and a singular golden eye that captures attention. Appel’s loose, energetic lines and expressive style evoke a sense of movement and spontaneity, inviting viewers to interpret the surreal composition. The hand-signed piece is a testament to Appel’s playful and unconventional approach to visual storytelling.
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Karel Appel
The Clown With The Golden Tears, 1978
Limited Edition Print
Etching And Aquatint
USD 2,000
Karel Appel
Plus Malin Et Plus Debile Que Nous, 1978
Limited Edition Print
Woodcut
Currently Not Available
What is Figuration Libre?
Figuration Libre is an art movement that is equivalent to the French Bad Painting and Neo-Expressionism in Europe and America. The term was coined by Ben Vautier and the Fluxus movement. In 1981, Robert Combas, François Boisrond, Hervé Di Rosa, and Rémi Blanchard formed the Figuration Libre group. The term can be interpreted as free style art, emphasizing spontaneity, freedom, and a rejection of traditional artistic conventions.