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From the "Man's best friend" portfolio - Screenprint in black and white, on Saunders Waterford High White paper - Published by Pace Prints, New York. // Man's Best Friend #6 by KAWS is a limited edition screenprint from 2016, showcasing the artist's bold, graphic style. Part of the Man's Best Friend portfolio, this artwork is rendered in black and white on Saunders Waterford High White paper. The composition is characterized by dynamic, intersecting black lines and forms that create an abstract pattern, exuding energy and motion. The stark contrast between the black shapes and the white background emphasizes KAWS's signature use of cartoon-like, expressive line work, inviting viewers to engage with the print’s rhythmic and almost calligraphic structure. Published by Pace Prints in New York, this piece exemplifies KAWS's contemporary approach to pop and street art.
Man's Best Friend #6, 2016
form
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88.9 x 58.4 cm
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Edition
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Details
Artist
Styles
From the "Man's best friend" portfolio - Screenprint in black and white, on Saunders Waterford High White paper - Published by Pace Prints, New York. // Man's Best Friend #6 by KAWS is a limited edition screenprint from 2016, showcasing the artist's bold, graphic style. Part of the Man's Best Friend portfolio, this artwork is rendered in black and white on Saunders Waterford High White paper. The composition is characterized by dynamic, intersecting black lines and forms that create an abstract pattern, exuding energy and motion. The stark contrast between the black shapes and the white background emphasizes KAWS's signature use of cartoon-like, expressive line work, inviting viewers to engage with the print’s rhythmic and almost calligraphic structure. Published by Pace Prints in New York, this piece exemplifies KAWS's contemporary approach to pop and street art.
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KAWS
Four Foot Companion - Black Dissected, 2009
Sculpture / Object
Mixed Media
USD 110,000 - 130,000
What is Comic Strip Art?
Comic strip art refers to artwork that utilizes the subject matter and commercial printing techniques found in comic strips. In the 1960s, a group of artists began creating paintings that incorporated Ben-Day dots—commonly used in comics and advertising—to produce highly graphic designs in bright colors, using traditional art media.